Publication: El plato del buen (?) recuerdo: arte participativo de enfoque colaborativo en medio de emergencias en el contexto de una prisión femenina
Authors
Braga, Marcia
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Publisher
Universidad de Murcia: Servicio de Publicaciones
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DOI
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info:eu-repo/semantics/article
Description
Abstract
El presente artículo busca ampliar las reflexiones en torno al arte participativo como práctica artística desarrollada en el marco de mi investigación, abordada en la disertación Poéticas de la proximidad: arte participativo de carácter dialógico en la construcción de situaciones de encuentro en el espacio público (2017) y, posteriormente, en la tesis Una poética provisoria y la (est)ética de otras emergencias: tácticas colectivas para (des)habitar una prisión femenina (2024). El enfoque está en los procesos artísticos realizados en medio de urgencias y emergencias propias de contextos de vulnerabilidad económica y social. Se enfatiza la propuesta artística titulada Plato del buen (?) recuerdo (2024), producida de forma colaborativa entre el colectivo Balcão da Cidadania y mujeres privadas de libertad en el Centro Penitenciario Femenino Madre Pelletier en Porto Alegre (RS/Brasil), con el objetivo de comprender de qué manera (si es que lo hacen) prácticas como esta pueden contribuir al campo del arte y tener repercusiones en un contexto social más amplio. Son fundamentales para las reflexiones aquí presentadas las contribuciones de teóricos del campo del arte como Reinaldo Laddaga (2012), David Bohm (2005), Paulo Freire (1987), Pablo Helguera (2012), Grant Kester (2017), Jocelyn Gélida, Inés Canabal y Tania Delgado (2013).
This article seeks to expand reflections on participatory art as an artistic practice developed within the scope of my research, first addressed in the dissertation Poetics of Proximity: Participatory Art of a Dialogical Nature in the Construction of Situations of Encounter in Public Space (2017), and later in the thesis A Provisional Poetics and the (Aesth)Ethics of Other Emergencies: Collective Tactics for (Un)inhabiting a Women’s Prison (2024). The focus is on artistic processes carried out amid the urgencies and emergencies characteristic of contexts marked by economic and social vulnerability. I emphasize the artistic proposition titled Dish of Good (?) Memory (2024), collaboratively produced by the collective Balcão da Cidadania and women deprived of their liberty at the Madre Pelletier State Women’s Prison in Porto Alegre (RS/Brazil), as an attempt to understand how (if at all) such practices can contribute to the field of art and resonate within the broader social context. Key theoretical contributions for the reflections proposed here come from scholars in the field of art such as Reinaldo Laddaga (2012), David Bohm (2005), Paulo Freire (1987), Pablo Helguera (2012), Grant Kester (2017), Jocelyn Gélida, Inés Canabal, and Tania Delgado (2013)
This article seeks to expand reflections on participatory art as an artistic practice developed within the scope of my research, first addressed in the dissertation Poetics of Proximity: Participatory Art of a Dialogical Nature in the Construction of Situations of Encounter in Public Space (2017), and later in the thesis A Provisional Poetics and the (Aesth)Ethics of Other Emergencies: Collective Tactics for (Un)inhabiting a Women’s Prison (2024). The focus is on artistic processes carried out amid the urgencies and emergencies characteristic of contexts marked by economic and social vulnerability. I emphasize the artistic proposition titled Dish of Good (?) Memory (2024), collaboratively produced by the collective Balcão da Cidadania and women deprived of their liberty at the Madre Pelletier State Women’s Prison in Porto Alegre (RS/Brazil), as an attempt to understand how (if at all) such practices can contribute to the field of art and resonate within the broader social context. Key theoretical contributions for the reflections proposed here come from scholars in the field of art such as Reinaldo Laddaga (2012), David Bohm (2005), Paulo Freire (1987), Pablo Helguera (2012), Grant Kester (2017), Jocelyn Gélida, Inés Canabal, and Tania Delgado (2013)
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Citation
Braga, M. (2026). O prato da boa(?) lembrança: : arte, palavra, alimento e outras emergências no contexto de uma prisão feminina. Arte Y Políticas De Identidad, 34, 99–117.
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