Publication: La representación de la cicatriz en la poesía de Luna Miguel
Authors
Úbeda Sánchez, Patricia
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Publisher
Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
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Abstract
En el presente artículo se va a analizar la poesía de Luna Miguel a partir de
la herida y la cicatriz, dos núcleos significativos de la poesía de esta poeta.
Estos dos motivos e structuran el imaginario de la poeta. La importancia del
cuerpo se enlaza con la búsqueda de la individualidad y la nostalgia de la infancia perdida. El cuerpo es el territorio en el que la voz poética inscribe la violencia, los impulsos más íntimos. La línea metodológica es interdisciplinar, en la que el cuerpo va a ser el objeto de estudio y cómo interviene en la escritura. El objetivo de este artículo es mostrar la escritura corpórea, teorizada por Hélène Cixous, se inscribe en la poesía migueliana mediante la herida y sus procesos de cicatricación con la finalidad de descubrir los mecanismos corpóreos de la escritura poética
In this article it is going to analyse Luna Miguel’s poetry from the scar and wound, two significant reason of her poetry. These two motives organize the imaginary of the poet. The significance of the body connects with the search of the individuality and the nostagia of the missed childhood. Body is the territory, where the poetic voice inscribe violence and the more personal pushes. The methodological line is interdisciplinary, where the body is the object of study and how it takes part in the writting. The aim of the article is show that the corporeal writting, theorized by Hélène Cixous, inscribes in the migueliana poetry through the wound and their process of healing with the purpose of finding the corporeal mechanisms of the poetic writting
In this article it is going to analyse Luna Miguel’s poetry from the scar and wound, two significant reason of her poetry. These two motives organize the imaginary of the poet. The significance of the body connects with the search of the individuality and the nostagia of the missed childhood. Body is the territory, where the poetic voice inscribe violence and the more personal pushes. The methodological line is interdisciplinary, where the body is the object of study and how it takes part in the writting. The aim of the article is show that the corporeal writting, theorized by Hélène Cixous, inscribes in the migueliana poetry through the wound and their process of healing with the purpose of finding the corporeal mechanisms of the poetic writting
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Cicatriz , Herida , Luna Miguel , Poesía , Escritura corpórea , Scar , Wound , Poetry , Corporeal writting
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