Publication: El concepto socialista de cultura: una revisión crítica de las tradiciones francesa, alemana e inglesa desde la perspectiva del análisis del discurso.
Authors
Goberna Falque, Juan Ramón
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Publisher
INLIMA. Instituto de Lingüística Materialista.
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DOI
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info:eu-repo/semantics/article
Description
Abstract
En este artículo se examina la evolución del concepto socialista de cultura a través de las tradiciones intelectuales francesa, alemana e inglesa, desde una perspectiva que integra los aportes del círculo de Bajtín, la escuela francesa del discurso y el análisis crítico del discurso. A partir del análisis de fuentes primarias y secundarias, se explora cómo el concepto de cultura en el pensamiento socialista se ha constituido dialógicamente en oposición a las concepciones burguesas individualistas y las nociones elitistas de la alta cultura. El estudio revela que la cultura socialista se caracteriza por su dimensión colectiva, su función ideológica transformadora y su vinculación con la praxis revolucionaria, configurándose como una formación discursiva específica que disputa la hegemonía cultural. Se analiza particularmente la concepción francesa de culture populaire, la distinción alemana entre Kultur y Zivilisation y las contribuciones anglosajonas al materialismo cultural, entendidas como manifestaciones de la heteroglosia cultural y como productos de condiciones sociohistóricas de producción discursiva específicas. La contribución concluye que el concepto socialista de cultura mantiene su relevancia contemporánea como herramienta de análisis crítico y de transformación social, constituyendo un ejemplo paradigmático de cómo los signos culturales adquieren su motivación ideológica en unos contextos de lucha hegemónica.
Abstract: In this article we examine the evolution of the socialist concept of culture through French, German and English intellectual traditions, from a perspective that integrates contributions from Bakhtin's circle, the French school of discourse and critical discourse analysis. Based on the analysis of primary and secondary sources, it explores how the concept of culture in socialist thought has been dialogically constituted in opposition to bourgeois individualist conceptions and elitist notions of high culture. The study reveals that socialist culture is characterized by its collective dimension, its transformative ideological function and its connection with revolutionary praxis, configuring itself as a specific discursive formation that disputes cultural hegemony. The French conception of culture populaire, the German distinction between Kultur and Zivilisation and Anglo-Saxon contributions to cultural materialism are particularly analyzed, understood as manifestations of cultural heteroglossia and as products of specific socio-historical conditions of discursive production. The research concludes that the socialist concept of culture maintains its contemporary relevance as a tool for critical analysis and social transformation, constituting a paradigmatic example of how cultural signs acquire ideological motivation in contexts of hegemonic struggle.
Abstract: In this article we examine the evolution of the socialist concept of culture through French, German and English intellectual traditions, from a perspective that integrates contributions from Bakhtin's circle, the French school of discourse and critical discourse analysis. Based on the analysis of primary and secondary sources, it explores how the concept of culture in socialist thought has been dialogically constituted in opposition to bourgeois individualist conceptions and elitist notions of high culture. The study reveals that socialist culture is characterized by its collective dimension, its transformative ideological function and its connection with revolutionary praxis, configuring itself as a specific discursive formation that disputes cultural hegemony. The French conception of culture populaire, the German distinction between Kultur and Zivilisation and Anglo-Saxon contributions to cultural materialism are particularly analyzed, understood as manifestations of cultural heteroglossia and as products of specific socio-historical conditions of discursive production. The research concludes that the socialist concept of culture maintains its contemporary relevance as a tool for critical analysis and social transformation, constituting a paradigmatic example of how cultural signs acquire ideological motivation in contexts of hegemonic struggle.
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Citation
Refracción, n. 13, 2026, p. 1-27
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