Publication: Metafísica y memoria del ser humano en Danilo Kiš
Authors
Fernández López, José Antonio
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Publisher
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DOI
https://doi.org/10.15443/RL3122
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info:eu-repo/semantics/article
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This is an open-access article distributed under the terms of the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License
Licensed under Creative Commons License a Creative Commons Attribution 4.0 International License.
Abstract
La narrativa de Danilo Kiš aborda la representación de la riqueza
de la singularidad humana desde la recreación de mundos pretéritos
arrasados por la barbarie y la injusticia. Con esta intencionalidad, sus
libros se erigen como memento de unos ejemplares humanos que se
presentan como símbolos de todas las vidas truncadas por la violencia de la
historia. En el presente artículo queremos abordar específicamente cómo
Kiš desarrolla, fundamentalmente en La Enciclopedia de los muertos, una
singular concepción metafísica de la persona humana, una idea de su ser
individual, en la que la futilidad y el vacío de la muerte son transformados
en compromiso ético y estético de recuperación de lo humano, vinculando
la memoria de las víctimas anónimas al curso de la historia.
The narrative of Danilo Kiš deals the representation of the richness of human singularity since the recreation of preterit worlds destroyed by barbarism and injustice. With this intentionality, his books represent a memento of human beings that are presented as a symbol of all lives cut short by the violence of history. Recovering for the present and history a plurality of forgotten lives. In this paper we want to address how Kiš develops, fundamentally in The Encyclopedia of the Dead, a singular metaphysical conception of the human person, the idea of his individual being, in which the futility and emptiness of death are transformed into ethical and aesthetic commitment to recovery the human, linking the memory of anonymous victims to the course of history.
The narrative of Danilo Kiš deals the representation of the richness of human singularity since the recreation of preterit worlds destroyed by barbarism and injustice. With this intentionality, his books represent a memento of human beings that are presented as a symbol of all lives cut short by the violence of history. Recovering for the present and history a plurality of forgotten lives. In this paper we want to address how Kiš develops, fundamentally in The Encyclopedia of the Dead, a singular metaphysical conception of the human person, the idea of his individual being, in which the futility and emptiness of death are transformed into ethical and aesthetic commitment to recovery the human, linking the memory of anonymous victims to the course of history.
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Citation
Logos: Revista de Lingüística, Filosofía y Literatura, 31/2, 2021: 380-393.
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