Publication: La modernidad o el drama de la identidad: máscara, lenguaje y memoria en Persona, de Ingmar Bergman
Authors
Vázquez Couto, David
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Publisher
Universidad de Murcia. Servicio de Publicaciones
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DOI
http://dx.doi.org/10.6018/daimon/271991
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info:eu-repo/semantics/article
Description
Abstract
Persona (1966), de Ingmar Bergman,
especula sobre la ausencia de una esencia, vana
promesa de una idea velada tras el individuo
convertido en imagen de sí mismo. Discernir
el ser del parecer y el pensar del decir entre los
reflejos que se pierden por el tenebroso terreno
del lenguaje despierta la conciencia del abismo
comunicativo que condena al hombre a una
soledad perpetua. El hombre, actor y espectador
de la vida, construye el relato de su existencia
siguiendo las frágiles huellas de la memoria. Persona es el conflicto entre el rostro y la máscara;
el drama moderno de la identidad encerrada en la
imagen que disimula la verdad de la nada
Persona (1966), by Ingmar Bergman, speculates about the absence of an essence, vain promise of a veiled idea behind the individual converted into an image of himself. To discern the being from the appearing and the thinking from the saying between reflections that are lost through the dark terrain of language awakens the consciousness of the communicative abyss that condemns man to a perpetual solitude. The man, actor and spectator of life, constructs the story of his existence following the fragile traces of memory. Persona is the conflict between the face and the mask; the modern drama of identity locked in the image that conceals dissimulates the truth of nothingness.
Persona (1966), by Ingmar Bergman, speculates about the absence of an essence, vain promise of a veiled idea behind the individual converted into an image of himself. To discern the being from the appearing and the thinking from the saying between reflections that are lost through the dark terrain of language awakens the consciousness of the communicative abyss that condemns man to a perpetual solitude. The man, actor and spectator of life, constructs the story of his existence following the fragile traces of memory. Persona is the conflict between the face and the mask; the modern drama of identity locked in the image that conceals dissimulates the truth of nothingness.
Citation
Daimon. Revista Internacional de Filosofía, 2016, Suplemento 5, pp. 347-356
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