Publication: Performative spaces in the work of Ann Veronica Janssens and Rafael Lozano-Hemmer
Authors
Segura Cabañero, Jesús ; Simó Mulet, Antoni
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Publisher
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DOI
https://doi.org/10.14738/assrj.53.4293
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info:eu-repo/semantics/article
Description
© 2018 Society for Science and Education, United Kingdom ____ This document is the published version of a published work that appeared in final form in Advances in Social Sciences Research Journal ____
This document is made available under the CC-BY 4.0 license http://creativecommons.org/licenses/by/4.0 ____
To access the final edited and published work see:
https://doi.org/10.14738/assrj.53.4293
Abstract
The purpose of this article is to analyze the spatial and temporal relationships in the works of art of Ann Veronica Janssens and Rafael Lozano-Hemmer through the performative. We understand the performative, as a spatio-temporal artistic action that triggers perception, abstraction and political activation. The performative act between the work and the spectator is therefore the essential element of reflection. In the first part, we analyze the decelerated spaces of Ann Veronica Janssens, where the performativity of bodies in spaces and through an ephemeral materiality configures a space in constant transformation. In a second part, we analyze the relational spaces of Rafael Lozano-Hemmer. In his interactive installations, the performative forms an intrinsic part of the work, so that the meeting between the spectator and the work takes place temporarily. Finally, we conclude that these works of art produce a political activation of the environment that proposes the viewer as the true interlocutor who coproduces the work. This work is framed in the new spatio-temporal performativities in contemporary art.
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Citation
Advances in Social Sciences Research Journal – Vol.5, No.3 2018
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Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by/4.0/