Browsing by Subject "Space-time"

Now showing 1 - 3 of 3
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    Imaginaire de la violence et récit de soi: la symbolique du pont dans l’acte suicidaire au sein des œuvres L’envol de Sarah (Agnès Favre, 2007) et Avec toutes mes sympathies (Olivia de Lamberterie, 2018).
    (Universidad de Murcia, Servicio de Publicaciones., 2025) Esperce, Mathilde; Sin departamento asociado
    Este artículo analiza las repercusiones en los actores y testigos de un suicidio al utilizar un puente para acabar con su vida, en dos obras de la literatura francesa contemporánea (L’envol de Sarah, Agnès Favre, 2007 y Avec toutes mes sympathies, Olivia de Lamberterie, 2018). Proponemos examinar en primer lugar las características físicas y simbólicas de un dispositivo diseñado para conectar lugares específicos, pero que en realidad se desvía hacia otros fines. A continuación, a través del análisis de los dos relatos, veremos cómo el paso del suicida por el puente reescribe la identidad espacial y temporal de esta construcción, suspendiendo el tiempo para siempre y dejando las huellas de un viaje efímero. El puente aparece entonces como un lugar público que encarna simbólicamente la íntima desesperación de quienes lo eligieron para acabar con su vida, a la vista y con conocimiento de todos.
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    Performative spaces in the work of Ann Veronica Janssens and Rafael Lozano-Hemmer
    (2018-03-25) Segura Cabañero, Jesús; Simó Mulet, Antoni; Bellas Artes
    The purpose of this article is to analyze the spatial and temporal relationships in the works of art of Ann Veronica Janssens and Rafael Lozano-Hemmer through the performative. We understand the performative, as a spatio-temporal artistic action that triggers perception, abstraction and political activation. The performative act between the work and the spectator is therefore the essential element of reflection. In the first part, we analyze the decelerated spaces of Ann Veronica Janssens, where the performativity of bodies in spaces and through an ephemeral materiality configures a space in constant transformation. In a second part, we analyze the relational spaces of Rafael Lozano-Hemmer. In his interactive installations, the performative forms an intrinsic part of the work, so that the meeting between the spectator and the work takes place temporarily. Finally, we conclude that these works of art produce a political activation of the environment that proposes the viewer as the true interlocutor who coproduces the work. This work is framed in the new spatio-temporal performativities in contemporary art.
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    Spaces of participation and memory in the work of Olafur Eliasson and Janet Cardiff
    (Scientific & Academic Publishing, 2018) Segura Cabañero, Jesús; Simó Mulet, Antoni; Bellas Artes
    This paper examines the reception of contemporary art through temporality, spatiality, participation and memory of artistic production in the works of artists Olafur Eliasson and Janet Cardiff. The problem of understanding contemporaneity in the work of art is based precisely on that collision of space and time, which are altered due to their contexts and their procedural practices. We will analyse installation art of Olafur Eliasson that extend spatial-temporal perceptual limits interrogating the viewer. And we will also analyse the spatio-temporal anachronisms of Janet Cardiff's artistic interventions.