Estud. rom. 2015, v. 24
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En el presente número se ha retomado la presentación de monográficos, que ya se hiciera en algunos números anteriores de la revista.
En esta ocasión, el título “Damas de la cultura románica” podría llevar, merecidamente, un subtítulo, “Escritoras contemporáneas de la cultura románica”, a la vista del resultado del mismo, ya que nos han llegado estudios sobre escritoras contemporáneas de Italia y de Portugal.
Se completa el número con una miscelánea de artículos sobre lenguas y literaturas románicas de diferentes épocas.
Y se cierra, como siempre, con unas oportunas reseñas.
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- PublicationOpen AccessCosmopolitisme et condition urbaine: Culture et architecture(2015-12-03) Azeroual, Sidi OmarWe can dare to say that in modern times the whole human condition is an urban condition. Fundamentals of the urban identity are reduced to cosmopolitanism, globalization, globality and intercultural thinking. Fiction, comics, filmic media and photography were not indifferent to this particular worldview. The art and literature permeates the city, its architecture and its cultural modeling to better test a human being who seeks, in the modern era, an identity consistent with his environment.
- PublicationOpen AccessElena Croce, María Zambrano. A presto, dunque, e a sempre. Lettere 1955-1990(2015-12-03) Hernández González, María Belén
- PublicationOpen AccessE fisica que fezesse nulla prol non lle fazia. Médicos e medicina nas Cantigas de Santa Maria(2015-12-03) González Martínez, DéborahNas Cantigas de Santa Maria hai un número significativo de milagres en que a Virxe restitúe a saúde, física ou mental, dun personaxe. Malia a temática destas cantigas, no interior da colección alfonsí encóntranse algunhas referencias á medicina convencional e a aqueles que a practican.
- PublicationOpen AccessEl nuevo teatro en su entorno: Elementos para su contextualización(2015-12-03) Feuillastre, Anne LaureThe 'New Spanish Theatre' is a little-known theatrical movement. It appeared at the end of the 60's, under Franco's dictatorial government, and marked a break from the previous generation called 'Realists'. It comprises different pieces of work by engaged authors excluded from the public stage due to various political and economic reasons. These were characterized by an avant-garde esthetics, close to absurd and symbolism theatre. Because they were usually neither played nor published, they often did not reach the public. Still, the youngest writers of the 'New Theatre' try to expand their movement through independent groups, alternative circuits or festivals. The audience attending the few shows was very different from those usually going to national and commercial theatre; they were searching for an alternative theatre, esthetically new and politically engaged. By these means, the 'New Spanish Theatre' hoped not to remain in the absurd state of "text theatre".
- PublicationOpen AccessLos destinatarios del "Rommans de la dame a la licorne et du biau chevalier"(2015-12-03) García Fernández, Manuel AngelThe Rommans de la Dame á la Licorne et du Biau du Chevalier is an anonymous account of the mid-fourteenth century consists of some 8500 octosyllabic courteous overloaded adventure novels inspired by the love of the Arthurian cycle. The two protagonists of fiction of the poem seem to have had two for living: Blanca de Navarra, the Lady and the Unicorn, and John the Good, the handsome knight. The dedication as a composite shield that appears on folio 14 of manuscript only refers to the matrimonial alliance of these families. The wedding never took place because the promised eventually married the father, but the manuscript survived as the only witness to this curious episode happened at the French court. The story, deeply rooted in the events of the time, is one of the last verse of courtly román mold characteristic of the mentality of the era that craves the glorious deeds of a glorious era that moves away in time.
- PublicationOpen AccessLes 100 mots de Proust(2015-12-03) Bidaud, Samuel
- PublicationOpen AccessAgustina Bessa-Luís ou une poétique du féminin(2015-12-03) Lentina, Alda MaríaThe aim of this work is to analyse some of the main elements that constitute the originality and singularity of the literary production of the Portuguese writer Agustina Bessa-Luís, in order to reveal it's connection with an " écriture-femme ". The analyse of some historiographical metafictions which, by defenition, have a close link with canonic historical texts, allows us to understand that her narratives tend to a certain form of un-reading of those texts, creating other texts and images of the past, inherent to the construction of a "Herstory". This characteristic writing in Agustina Bessa-Luís narratives reveals a female poetics expressing the recognition of female experience and gives also back History, and Literature, to women.
- PublicationOpen AccessNa trama da urdidura poética de Patrizia Cavalli(2015-12-03) Peterle, PatriciaThis paper proposes a reflection on the Patricia Cavalli's poetics, from the reading of two long poems Aria pubblica and La patria. The existing ethical issue in Cavalli's frame is analyzed to the extent that the relationship with the urban space, the body, the other, the linearity of the story which become problematized.
- PublicationOpen AccessAmelia Rosselli, la complejidad de lo cotidiano(2015-12-03) Esteban Bernabé, EncarnaciónAmelia Rosselli ha sido una de las voces femeninas italianas más originales e innovadoras del pasado siglo. Su verso, en ocasiones creado desde un italiano completamente artificial, se convierte en un campo de experimentación lingüística en el que la huella de su formación políglota queda patente. Lo que en un primer momento podría tacharse de error o de anacoluto, se transforma poco a poco en la creación de Rosselli en una poesía experimental reservada a una elite intelectual que supo valorar la maestría y valentía de la original poetisa. Apadrinada y presentada en los círculos intelectuales italianos de la segunda mitad del siglo XX por Pier Paolo Pasolini, la voz desgarrada de Rosselli descubre al lector una poesía pesimista y tierna a la vez en la que el complejo universo femenino encuentra su razón de ser en la creación poética.
- PublicationOpen Access"Viva" (2014): un roman géographique de Patrick Deville(2015-12-03) Bernard, IsabelleThis paper presents a Novel published in 2014 by the French author Patrick Deville entitled Viva. It studies the contemporary work written new and scholar, both geographical and historical, in three stages: the first shows the singularities of this travel story; these condexamines the singular vision (both intertextual and interdisciplinary) of Mexican's landscapes; the third explains with help of geocriticism theorythis new art of fictionalize space.
- PublicationOpen AccessLenguaje común y simbología en el siglo XVIII: Mallorca en el episcopado de Juan de la Guerra (1772-1777)(2015-12-03) Calafat Vila, RosaLa historia escrita sobre el hombre y sus actuaciones en sociedad no debe estar exenta en su análisis de los avatares lingüísticos, puesto que la palabra y su simbología, o representación cultural, constituyen el instrumento que usa el hombre como ser político para marcar límites y tejer fronteras, dibujando así su idiosincrasia social. Por ello este artículo se ocupa del análisis de un hecho cultural, la simbología del culto al Beato Ramon Llull, la controversia de su prohibición en Mallorca durante el episcopado de Juan Díaz de la Guerra, además de un hecho lingüístico: el cambio en los usos lingüísticos del catalán y el latín a favor del castellano en la Mallorca del siglo XVIII, enmarcándolo en el contexto de la Europa Ilustrada y de la España de Carlos III. Este estudio refleja la pugna entre dos poderes y entre dos culturas.
- PublicationOpen AccessUn simposio alla Fondazioni Hardt di Ginevra sullo scrittore Giuseppe Bonaviri un letterato migrante della fantasia(2015-12-03) Baldassarre, Marco
- PublicationOpen AccessModelos femeninos del pasado para construir el presente. Marta Cuscuná y su "Semplicitá ingrata"(2015-12-03) Martín Clavijo, MilagroIn La semplicitá ingannata the Italian playwright, Marta Cuscuná presents several models of female resistance -Arcangela Tarabotti and the Clarisses of Udine- with the intention that their lives will help the audience, especially the younger one, to reflect, about the need, even today, of rebellion, in order to not accept behavior patterns that our society imposes us and presents to us as unique, normal and the most beneficial. This article analyzes the play -its plot, structure and staging-that belongs to her project on women's resistances and relates it to the construction of gender and cultural conditioning.
- PublicationOpen AccessL'hypothése d'un signifié en puissance: llamada, llamado, llamamiento(2015-12-03) Treinsoutrot, PascalLe présent article aborde la relation signifiant / signifié á partir de l'étude de trois substantifs déverbaux llamada, llamado et llamamiento. Ils ont été observés en contexte lorsqu'ils étaient accompagnés de certains adjectifs. Il s'agissait des adjectifs les plus fréquemment employés. En confrontant les énoncés collectés et en se fondant sur l'analyse sémiologique de ces trois substantifs, il semble possible de démontrer que la singularité morphologique du signifiant constitue la voie d'accés á un signifié unique. L'intérêt pour la " lecture " de ces surfaces (morphologies), nous a conduit á l'examiner en tenant compte du temps et du mouvement : un processus de construction du signifié que nous avons appelé signifié en puissance.
- PublicationOpen AccessMujeres futuristas en la Primera Guerra Mundial: Feminismo, creatividad y regeneración social(2015-12-03) Peña, VictorianoAlthough it may seem contradictory with some of the foundational ideas of a marked misogynist character and the posterior filo fascist development of futurism, women took part in this vanguard movement in an active manner, and they maintained a fruitful vital itinerary from the most varied artistic disciplines. Coinciding with the second biennium of First World War, women writers such as Enif Robert, Rosa Rosá, Magamal, Enrica Piubellini, Maria Giannini, Benedetta Cappa Marinetti, from the pages of futurist magazines and in their works of literary creation, claimed decisively the fundamental women's role in society.
- PublicationOpen AccessLas "Cantigas" de Sancho Sanchez, clérigo(2015-12-03) Pousada Cruz, Miguel AngelItalian apographs B and V collect, under the rubric Sancho Sanchez clérigo, five cantigas de amigo and a cantiga de amor attributed to this author. The cantigas in this little profane lyric songbook, which closes the well-known compilação de clérigos (Oliveira 1994) preserved in B and V, were never released together. The aim of this paper is to establish the critical text of these six compositions, bearing in mind the written evidences preserved in the aforementioned song-books and, with them, the partial previous editions written by different authors and critics. This critical edition is part of a larger research about this troubadour, initiated by the author in January 2012 on the Arquivo Galicia Medieval of the CRPIH.
- PublicationOpen Access"Maravilla es del Cid, que su ondra creçe tanto". Argumentación y apartes en el poema de "Mío Cid(2015-12-03) Quero, AlbertoThis paper analyzes certain aspects related to the argumentation and the character's dialogues within the Poem of Mío Cid. These aspects are linked to a theatrical figure called aside. The basic goal of this resource is to tell the audience the real intentions of a certain character, while the others do not know what is going on. We have taken into account the number of times that the characters get involved and their dramatic meaning. The method of study is semiotic and textual interpretative and that of documental analysis of the text. We consulted several sources that have studied the work of the author. Later on, we elaborated our own interpretative model. We conclude that, if it is true that the Poem of Mío Cid is a medieval text, its argumentative procedures can be analyzed through modern methods. This situation turns the Poem into a milestone in universal literature.
- PublicationOpen AccessLas oraciones impersonales: un análisis comparativo español-italiano(2015-12-03) Giordano, RobertaOne of the most complex aspects of Spanish syntax is represented by impersonal sentences. The effort to carry out a Spanish-Italian contrastive analysis of these sentences represents a possible answer to the challenge, for teachers of Spanish as a foreign language, of transmitting these expressions to Italian speaking students. In developing our discussion, we start from two interpretative proposals: that of José Joaquín Montes Giraldo, "Frase nominal, frase verbal y enunciados impersonales" (Thesaurus, XLI, 1986), and that of Luis Alberto Hernando Cuadrado, "Sobre la expresión de la impersonalidad" (Proceedings of the IV ASELE Congress, 1994).
- PublicationOpen AccessMujer y nación en los escritos bélicos de Paola Baronchelli(2015-12-03) Valencia, María DoloresThe artistic and litterary representation of war has ben the exclusive prerogative of men. In spite that the active role played by women during World War I was an essential one for the Italian society of that moment, the critics hasn't payed any special attention to the important work of Donna Paola, writer and journalist and a defender of women's emancipation. We will analyze "La funzione della donna in tempo di guerra" and "La donna della nuova Italia. "Documenti del contributo femminile alla guerra", texts that advocated for a direct participation of women in war.