Estud. rom. 2015, v. 24

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https://hdl.handle.net/10201/46982

En el presente número se ha retomado la presentación de monográficos, que ya se hiciera en algunos números anteriores de la revista. En esta ocasión, el título “Damas de la cultura románica” podría llevar, merecidamente, un subtítulo, “Escritoras contemporáneas de la cultura románica”, a la vista del resultado del mismo, ya que nos han llegado estudios sobre escritoras contemporáneas de Italia y de Portugal. Se completa el número con una miscelánea de artículos sobre lenguas y literaturas románicas de diferentes épocas. Y se cierra, como siempre, con unas oportunas reseñas.

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Now showing 1 - 5 of 19

Open Access
Cosmopolitisme et condition urbaine: Culture et architecture
(2015-12-03) Azeroual, Sidi Omar
We can dare to say that in modern times the whole human condition is an urban condition. Fundamentals of the urban identity are reduced to cosmopolitanism, globalization, globality and intercultural thinking. Fiction, comics, filmic media and photography were not indifferent to this particular worldview. The art and literature permeates the city, its architecture and its cultural modeling to better test a human being who seeks, in the modern era, an identity consistent with his environment.
Open Access
Elena Croce, María Zambrano. A presto, dunque, e a sempre. Lettere 1955-1990
(2015-12-03) Hernández González, María Belén
Open Access
E fisica que fezesse nulla prol non lle fazia. Médicos e medicina nas Cantigas de Santa Maria
(2015-12-03) González Martínez, Déborah
Nas Cantigas de Santa Maria hai un número significativo de milagres en que a Virxe restitúe a saúde, física ou mental, dun personaxe. Malia a temática destas cantigas, no interior da colección alfonsí encóntranse algunhas referencias á medicina convencional e a aqueles que a practican.
Open Access
El nuevo teatro en su entorno: Elementos para su contextualización
(2015-12-03) Feuillastre, Anne Laure
The 'New Spanish Theatre' is a little-known theatrical movement. It appeared at the end of the 60's, under Franco's dictatorial government, and marked a break from the previous generation called 'Realists'. It comprises different pieces of work by engaged authors excluded from the public stage due to various political and economic reasons. These were characterized by an avant-garde esthetics, close to absurd and symbolism theatre. Because they were usually neither played nor published, they often did not reach the public. Still, the youngest writers of the 'New Theatre' try to expand their movement through independent groups, alternative circuits or festivals. The audience attending the few shows was very different from those usually going to national and commercial theatre; they were searching for an alternative theatre, esthetically new and politically engaged. By these means, the 'New Spanish Theatre' hoped not to remain in the absurd state of "text theatre".
Open Access
Los destinatarios del "Rommans de la dame a la licorne et du biau chevalier"
(2015-12-03) García Fernández, Manuel Angel
The Rommans de la Dame á la Licorne et du Biau du Chevalier is an anonymous account of the mid-fourteenth century consists of some 8500 octosyllabic courteous overloaded adventure novels inspired by the love of the Arthurian cycle. The two protagonists of fiction of the poem seem to have had two for living: Blanca de Navarra, the Lady and the Unicorn, and John the Good, the handsome knight. The dedication as a composite shield that appears on folio 14 of manuscript only refers to the matrimonial alliance of these families. The wedding never took place because the promised eventually married the father, but the manuscript survived as the only witness to this curious episode happened at the French court. The story, deeply rooted in the events of the time, is one of the last verse of courtly román mold characteristic of the mentality of the era that craves the glorious deeds of a glorious era that moves away in time.

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