Publication: Presencia y difusión de la literatura italiana en la revista Escorial (1940-1950).
Authors
Sánchez Sánchez, María
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
https://doi.org/10.6018/ER.655491
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info:eu-repo/semantics/article
Description
Abstract
El régimen dictatorial surgido en España tras la Guerra Civil impuso por decreto que la cultura debía estar al servicio de los ideales que él mismo propugnaba. Esto afectaría a la difusión en nuestro país de las obras literarias escritas fuera de las fronteras nacionales, entre ellas la literatura italiana contemporánea. En nuestro estudio se pretende demostrar cuál fue el alcance real de este tipo de control estatal sobre la difusión de la literatura italiana contemporánea a través de la revista Escorial, que, dirigida por diferentes figuras culturales y académicas ligadas al falangismo, centrarán sus esfuerzos en reivindicar, por un lado, el papel político de la literatura italiana al servicio del estado totalitario y, por otro, mediante un análisis literario mutilado o tergiversado, adscribir la mejor producción poética italiana (Ungaretti, Montale, Quasimodo) a los valores artísticos conservadores que promovía el régimen franquista (religiosidad, patriotismo y revalorización de la tradición y el clasicismo).
Abstract: The dictatorial regime that emerged in Spain after the Civil War decreed that culture had to serve the ideals it itself advocated. This would affect the dissemination in our country of literary works written outside national borders, including contemporary Italian literature. Our study aims to demonstrate the real extent of this type of state control over the dissemination of contemporary Italian literature through the magazine Escorial, which, directed by various cultural and academic figures linked to Falangism, focused their efforts on vindicating, on the one hand, the political role of Italian literature in the service of the totalitarian state and, on the other, through a mutilated or distorted literary analysis, ascribing the best Italian poetic production (Ungaretti, Montale, Quasimodo) to the conservative artistic values promoted by the Francoist regime (religiosity, patriotism, and revaluation of tradition and classicism).
Abstract: The dictatorial regime that emerged in Spain after the Civil War decreed that culture had to serve the ideals it itself advocated. This would affect the dissemination in our country of literary works written outside national borders, including contemporary Italian literature. Our study aims to demonstrate the real extent of this type of state control over the dissemination of contemporary Italian literature through the magazine Escorial, which, directed by various cultural and academic figures linked to Falangism, focused their efforts on vindicating, on the one hand, the political role of Italian literature in the service of the totalitarian state and, on the other, through a mutilated or distorted literary analysis, ascribing the best Italian poetic production (Ungaretti, Montale, Quasimodo) to the conservative artistic values promoted by the Francoist regime (religiosity, patriotism, and revaluation of tradition and classicism).
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Citation
Sánchez Sánchez, M. (2026). Presencia y difusión de la literatura italiana en la revista Escorial (1940-1950). Estudios Románicos, 35. https://doi.org/10.6018/ER.655491
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