Publication: Cuerpos desaparecidos y memoria transnacional a escena: NN12 de Gracia Morales.
Authors
Saura Clares, Alba
item.page.secondaryauthor
item.page.director
Publisher
Universidad de Murcia, Servicio de Publicaciones
publication.page.editor
publication.page.department
DOI
https://doi.org/10.6018/cartaphilus.482361
item.page.type
info:eu-repo/semantics/article
Description
Abstract
A través de esta investiga‐
ción, queremos volver nuestra mirada a
NN12, uno de los textos más destaca‐
dos de la teatrista española Gracia Mo‐
rales (dramaturga, actriz, poeta, docen‐
te) para estudiar el contexto de su pro‐
ducción y el diálogo que establece con
una memoria transnacional, compartida
entre España y los países del Cono Sur.
De esta forma, nos interesa estudiar las
claves de la obra desde una perspectiva
transfronteriza y ubicarla en un contex‐
to compartido de justicia transnacional,
en el encuentro entre países en pos de
la memoria histórica; además, busca‐
mos analizar cómo desde el teatro se
convoca una retentiva comunitaria que,
lejos de alejarnos en las especificacio‐
nes de cada trauma, nos puede unir en
la visión de una tragedia compartida,
como la que generaron los diferentes
regímenes totalitarios en Europa y Lati‐
noamérica, aspecto donde se ubica con
especial determinación la relacione
entre España y los países del sur del
continente americano.
Through this research, we want to turn our gaze to NN12, one of the most outstanding texts by the Span‐ ish playwright Gracia Morales (play‐ wright, actress, poet, teacher) to study the context of her production and the dialogue she establishes with a transna‐ tional memory. , shared between Spain and the countries of the Southern Cone. In this way, we are interested in study‐ ing the keys of the work from a cross‐ border perspective and placing it in a shared context of transnational justice, in the meeting between countries in pursuit of historical memory; In addi‐ tion, we seek to analyze how from the theater a community retention is con‐ vened that, far from moving away from the specifications of each trauma, can unite us in the vision of a shared trage‐ dy, such as the one generated by the different totalitarian regimes in Europe and Latin America, an aspect where the relationship between Spain and the countries of the South American conti‐ nent is located with special determina‐ tion.
Through this research, we want to turn our gaze to NN12, one of the most outstanding texts by the Span‐ ish playwright Gracia Morales (play‐ wright, actress, poet, teacher) to study the context of her production and the dialogue she establishes with a transna‐ tional memory. , shared between Spain and the countries of the Southern Cone. In this way, we are interested in study‐ ing the keys of the work from a cross‐ border perspective and placing it in a shared context of transnational justice, in the meeting between countries in pursuit of historical memory; In addi‐ tion, we seek to analyze how from the theater a community retention is con‐ vened that, far from moving away from the specifications of each trauma, can unite us in the vision of a shared trage‐ dy, such as the one generated by the different totalitarian regimes in Europe and Latin America, an aspect where the relationship between Spain and the countries of the South American conti‐ nent is located with special determina‐ tion.
Citation
Cartaphilus, Vol. 19 (2021)
item.page.embargo
Collections
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nc-nd/4.0/