Publication: Sombras amenazantes y personajes-sombra: del cine a la pintura.
Authors
Salas González, Carlos
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Con el presente trabajo se pretende evidenciar la importante y temprana infuencia que ha tenido el cine en la pintura, a partir
de dos tipos iconográfcos muy concretos que cuentan con el común denominador de la sombra. Ambas iconografías fueron forjadas
en el cine mudo y pasaron al ámbito de las artes plásticas gracias al atrevimiento de ciertos pintores vanguardistas.
With the present work one tries to demonstrate the important and early infuence that has had the cinema in the painting, from two very concrete iconographic types that rely on the common denominator of the shadow. Both iconographies were forged in the mute cinema and went on to the area of the plastic arts thanks to the presumption of certain vanguard painters.
With the present work one tries to demonstrate the important and early infuence that has had the cinema in the painting, from two very concrete iconographic types that rely on the common denominator of the shadow. Both iconographies were forged in the mute cinema and went on to the area of the plastic arts thanks to the presumption of certain vanguard painters.
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