Publication: Re-existencias travestis: Una contrahistoria desde la diferencia visual en Perú
Authors
Romero Caballero, Belén
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/317091
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info:eu-repo/semantics/article
Description
Abstract
El vínculo entre naturaleza y deshumanización es un discurso moderno
colonial de género que mantiene su vigencia mediante la basurización
simbólica y concreta de quienes son vistos como inferiores, antinaturales y
hasta como animales, convertidos en un desecho de la sociedad. Una forma
de visualizar al otro como elemento sobrante del sistema simbólico. En este
sentido, maniobrar en el campo de la visualidad travesti, sus convenciones
y estereotipos, se convierte en una práctica de resistencia en tanto que
se enfrenta al régimen escópico eurocéntrico disciplinante, astutamente
camuflado. Pero, igualmente, de re-existencia, al proponer la co-presencia
visual de la diferencia, y por ende, la emergencia de otras identidades,
formas de visibilidad, de visualización y de vida. Mediante una aproximación
que se centra en el aspecto sensible de determinadas prácticas culturales en
el ámbito geo-corpo-político peruano, como son Salón de Belleza, de Mario
Bellatin, y Museo Travesti del Perú, de Giuseppe Campuzano, trataremos
de mostrar su papel mediador en las sociedades contemporáneas, pero,
también, lo que se puede hacer con ellas para inventar una reescritura de
las narrativas.
The link between nature and dehumanization is a modern colonial gender discourse which remains in force by the symbolic trashing and concrete who are seen as inferior, unnatural and even like animals, turned into a waste of society. One way to visualize the other as left over element of the symbolic system. In this sense, maneuver in the field of visuality transvestite, its conventions and stereotypes, becomes a practice of resistance while it confronts the disciplining scopic regime Eurocentric, cunningly camouflaged. But equally, of re-existence, proposing visual co-presence of difference, and thus the emergence of other identities, forms of visibility, display and life. Through an approach that focuses on the sensitive aspect of certain cultural practices in the Peruvian political geo-body politics, such as Beauty Salon, Mario Bellatin, and Travesti Museum of Peru, Giuseppe Campuzano, we will try to show their mediating role in contemporary societies, but also what to do with them to invent a rewriting of the narratives.
The link between nature and dehumanization is a modern colonial gender discourse which remains in force by the symbolic trashing and concrete who are seen as inferior, unnatural and even like animals, turned into a waste of society. One way to visualize the other as left over element of the symbolic system. In this sense, maneuver in the field of visuality transvestite, its conventions and stereotypes, becomes a practice of resistance while it confronts the disciplining scopic regime Eurocentric, cunningly camouflaged. But equally, of re-existence, proposing visual co-presence of difference, and thus the emergence of other identities, forms of visibility, display and life. Through an approach that focuses on the sensitive aspect of certain cultural practices in the Peruvian political geo-body politics, such as Beauty Salon, Mario Bellatin, and Travesti Museum of Peru, Giuseppe Campuzano, we will try to show their mediating role in contemporary societies, but also what to do with them to invent a rewriting of the narratives.
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Citation
Arte y Políticas de Identidad, Vol. 16 (2017)97-122
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