Publication: El escepticismo salvaje de Chantal Maillard
Authors
Ordóñez Roig, Vicente
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Publisher
Universidad de Murcia. Servicio de Publicaciones
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DOI
http://dx.doi.org/10.6018/daimon.444841
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info:eu-repo/semantics/article
Description
Abstract
El principal objetivo de este artículo
es ahondar en la obra inclasificable de la poeta y
pensadora Chantal Maillard, obra que no encaja
con una escuela o tradición determinada, no pertenece
a un grupo de pensamiento ni puede asignársele
desde fuera la adhesión a un autor o a una
corriente filosófica pero que, sin embargo, tiene el
sello del escepticismo filosófico: inclinación por
la paradoja, negación de las doctrinas positivas,
desintegración de las imágenes y juicios que la
mente articula o tendencia irrevocable al silencio.
Hemos querido, además, analizar sus poemas
desde esta clave hermenéutica dado que la palabra
poética de Maillard se articula como pensamiento
en torno a sus propias posibilidades y límites de
representación. Para ello, nos hemos servido de
algunos motivos recurrentes en su obra (suspensión
del juicio, anulación del yo, mutismo, límites
del lenguaje, etc.) que permiten referirse a su pensamiento
como escepticismo salvaje.
The main goal of this work is to delve into the work of the poet and thinker Chantal Maillard—a work that does not fit into a particular school or tradition, does not belong to a group of thought nor can it be assigned from outside to point out to an author or a philosophical current but which, nevertheless, has the mark of philosophical scepticism: the paradox, the denial of positive doctrines, the disintegration of images and judgements that the mind articulates or the irrevocable tendency towards silence. We also wanted to analyze her poems from this hermeneutic framework since Maillard’s poetic word adjusts itself as a bridge between her thought’s own possibilities and the limits of representation. Tellingly, we have used some leitmotivs in her work (withholding of assent, self-extinction, silence, limits of language, etc.) that allow us to refer to her thought as wild skepticism.
The main goal of this work is to delve into the work of the poet and thinker Chantal Maillard—a work that does not fit into a particular school or tradition, does not belong to a group of thought nor can it be assigned from outside to point out to an author or a philosophical current but which, nevertheless, has the mark of philosophical scepticism: the paradox, the denial of positive doctrines, the disintegration of images and judgements that the mind articulates or the irrevocable tendency towards silence. We also wanted to analyze her poems from this hermeneutic framework since Maillard’s poetic word adjusts itself as a bridge between her thought’s own possibilities and the limits of representation. Tellingly, we have used some leitmotivs in her work (withholding of assent, self-extinction, silence, limits of language, etc.) that allow us to refer to her thought as wild skepticism.
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Escepticismo , Epojé , Filosofía Oriental , Poesía , Infinito , Vacío , Skepticism , Epoché , Eastern Philosophy , Poetry , Infinite , Voidness
Citation
Daimon. Revista Internacional de Filosofía, nº 88 (2023), pp. 111-124
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