Publication: Sexopolíticas del cine marginal de los años 70 en España
Authors
Berzosa Camacho, Alberto
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Publisher
Murcia: Servicio de publicaciones de la Universidad de Murcia
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DOI
https://doi.org/10.6018/317021
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info:eu-repo/semantics/article
Description
Abstract
El espacio cultural que se creó en el Estado español durante los
años setenta en los márgenes que delimitan el underground
gay, lésbico y trans* determina hoy el marco apropiado para
una aproximación a las particularidades de la creación marginal.
Directores de cine tan diversos como Pedro Almodóvar, Pierrot,
José Romero, Esteve Rovira o el colectivo Els 5 QK’s convivieron
en ese ambiente trabajando además en formato súper 8, lo que
ahondaba en el carácter marginal de sus films. Su obra durante
los años setenta ofrece un amplio surtido de estrategias políticas
que ofrecen al mismo tiempo propuestas de acción y fórmulas
de resistencia frente al poder heteropatriarcal. A través de una
aproximación al cine de estos directores se delimitarán algunas
características de la creación desde los márgenes y se definirán
las bases de una sexpolitique cinematográfica en la España de la
transición.
The cultural underground scene which emerged from the Spanish gay, lesbian and trans* movement during the 70’s set the appropriate frame to study the particularities of creating from the margins. Filmmakers such as Pedro Almodóvar, Pierrot, José Romero, Esteve Rovira and the group Els 5 QK’s, worked in this scene, sharing another subcultural characteristic which conected them to the filmic margins they shot their films by using super 8mm cameras. Their work during the 70’s shows a wide range of political strategies that both propose a different kind of action and elaborate formulae of resistance against heteropatriarchal power. The analysis of their films will let us determine what creating in the margins means, and will allow us to depict the sexual politics of marginal films during Spanish Transition
The cultural underground scene which emerged from the Spanish gay, lesbian and trans* movement during the 70’s set the appropriate frame to study the particularities of creating from the margins. Filmmakers such as Pedro Almodóvar, Pierrot, José Romero, Esteve Rovira and the group Els 5 QK’s, worked in this scene, sharing another subcultural characteristic which conected them to the filmic margins they shot their films by using super 8mm cameras. Their work during the 70’s shows a wide range of political strategies that both propose a different kind of action and elaborate formulae of resistance against heteropatriarchal power. The analysis of their films will let us determine what creating in the margins means, and will allow us to depict the sexual politics of marginal films during Spanish Transition
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Margen , Resistencia , Margin , Resistance , Cine , Política , Liberación homosexual , Films , Politics , Homosexual liberation
Citation
Arte y Políticas de Identidad, Vol. 16 (2017)17-36
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