Estud. rom. 2016, v. 25
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- PublicationOpen AccessQuete et Enjeux de l'Eden dans la poésie de Saint-John Perse(2016-11-18) Kouakou Aho, BernardIn the poetry of Saint-John Perse, the man is in the center of the concerns of the poet. The Eden translates the place of delights that underlies the human exis- tence by the infinite enjoyment which bases it. Any life cannot understand only by its conquest translating, from the fact, from the imperceptible and insatiable desire of the being. The problem which arouses this quest of such a place is also, at the poet, that of the poetic writing connected to the bright structure of the universe, stemming from the bioluminescence and taken on an aura multicolored and wonderful colors; it could so offer the enjoyment of an existence which insures the sea as microcosm of the Eden, such are the real stakes in the notion in its poetic functioning. The objective of the work is to show that by launching in the conquest of such a space of plenitude, Perse embodies the symbolism of the light and is established as the wise man. This edenic world appears as an universe which, leads to the essential truth, illuminates things.
- PublicationOpen AccessLa traducción en la creación del canon poético. Recepción de la poesía italiana en el ámbito hispánico en la primera mitad del siglo XX(2016-11-18) Ladrón de Guevara Mellado, Pedro Luis
- PublicationOpen AccessDe la esclava a la mujer antillana contemporánea: crónica literaria de una maternidad traumática(2016-11-18) Cremades Cano, Isaac DavidThe aim of this study is to analyse the most relevant specific traits of motherhood in francophone Antilles, through the study of the evoked vision of certain female writers. The characters of their narrative allow us to verify the intimate rela- tionship that is established between the particular conception of motherhood and the slavery past in its less known dimension. Resistance, infanticide, solitude, abandonment and broken family ties, are some of the aspects related to the subject of motherhood and the search for identity that emerge from the analysed works of fiction. Indeed, the mentioned aspects of the family structure, the position of women in relation to motherhood and the inherent complexities to the Antilles' society, to its past and its evolution, become a major source of female inspiration and differentiation.
- PublicationOpen AccessThérés et Isabelle, l'écriture du défi(2016-11-18) Meseguer Paños, ElenaOriginally, Therese et Isabelle has not been designed by Violette Leduc indepen- dently. The text was the first part of an autobiographical novel, Ravages, who was published by Gallimard in 1954. However the episode "Therese and Isabelle" does not appear in the novel, the editor will cut into a hundred-fifty pages, considered at the time as unprintable as too bold, at least from the pen of a woman. We will have to wait until the year 2000 that was finally published the full version of Therese and Isabelle. How Leduc it deals with sexuality and female desire by combining a precise description of gestures and feelings, metaphors and highly poetic images defy taboos of the time. Throughout our study, we will have the opportunity to discover a particular poetic; Leduc says the desire, the pleasure in a pure state, without resorting to preconceived images of women and draw a new picture of the woman.
- PublicationOpen Access"Le meneur de louves": reescritura de "Histoire Ecclesiastique des Francs"(2016-11-18) Lojo Tizón, María CarmenRachilde, a prolific French author writing during the last decades of the 19th century and the first decades of the 20th century, published Le Meneur de louves in 1905. Although it was considered a historical novel by critics, its plot is a reworking of books nine to twenty of Volume 2 of the French translation (Histoire ecclesiastique des Francs) of the Historia Francorum by Gregory of Tours. Reworking of earlier texts is a technique frequently used by Rachilde, and in this novel this technique is very evident as a result of the constant presence of the hypotext in the hypertext. Rachilde is also regarded as a Decadent writer, and despite preserving some of the features of the source text, she adapts the plot by incorporating characteristics of the Decadence movement of the late 19th century.