An. filol. fr. 2019, v. 27
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- PublicationOpen AccessDifficulté de se dire: sur l’écriture autobiographique de Françoise Mallet-Joris(Universidad de Murcia, Servicio de Publicaciones., 2019) Bizek Tatara, RenataAbstract: This article deals with four autobiographical texts by the Belgian writer Françoise Mallet-Jo-ris (1930-2017): Lettre à moi-même (1963), La Maison de papier (1970), J’aurais voulu jouer de l’accordéon (1975) and La double confi-dence (2000). These texts, despite being ins-pired by the writer’s life experiences, are far from Philippe Lejeune’s autobiographical mo-del because the author, instead of talking about herself, narrates about others. The difficulties of speaking about her own life determines the somewhat unusual character of these texts: they are ambiguous genres that are placed between autobiography, memories, intimate diary, es-say, biography and chronicle. In the analysis, I focus the author’s choice of theme (literary work, life of others, biography of Marcelina Debordes-Valmore) and form (hybrid genres, mosaic structure, fragmentarism) which makes this unique “writing about oneself” so original. I also try to find out why the author is unable to write about herself and how that influences the shape of her autobiographical texts.
- PublicationOpen AccessLe je lyrique chez Léopold Sédar Senghor(Universidad de Murcia, Servicio de Publicaciones., 2019) Bobo, Rostand SylvaniusAbstract: This study addresses lyricism from the point of view of the person who supports the poem. The lyrical I has double the actual subject or empirical subject. Studying the lyrical I neces sarily raises the more general problem of the relationship between the author and the narrator, the real subject and the one who says I. The lyrical subject will be seen here not as a faithful reflection of an empirical subject, much less as pure fiction, but rather as a stylized projection of the poet, Leopold Sédar Senghor in this case whose poem The Kaya Magan serves as a corpus. It is, from the figure of the lyrical subject that the analysis will emerge from the text, to discover the intimate self of the cantor of negritude and to reveal some essential features of Senghoian lyricism.
- PublicationOpen AccessRevisión del “espacio autobiográfico” en la narrativa de Boris Vian(Universidad de Murcia, Servicio de Publicaciones., 2019) Cortijo Talavera, AdelaAbstract: This article addresses the difficulty of establishing limits and categories between reality and fiction in the narrative work and the “writing of the self” by Boris Vian, in relation to the prin ciples of the Pataphysics College to which he belongs. For this, through the concept of “autobiographical space” of Lejeune, which outlines and modifies his theory previously exposed in the Pacte autobiographique, we will focus on the techniques of the language-universe that plays with the principle of identity through the seudonyms, the self-citation and the novelistic transpositions of friends and acquain tances who, masked, are participants in the vicissitudes of their fictional world in which the borders between the lived and the imagined are blurred without ceasing.
- PublicationOpen AccessPour une réception de "l'ambiguïté générique” du roman autobiographique(Universidad de Murcia, Servicio de Publicaciones., 2019) Ahmed Said, BrahimAbstract: This contribution will focus on the confirmation of the genre of the utobiographical novel and stakes a case for its possible reception. Since the theorisation of this literary genre by Philippe Gasparini (2004), and the identification of its main characteristic, namely its defining “genre-related ambiguity”, theories abound yet continually fail to postulate as to its reception. Mixing fiction and reality, this genre challen ges logic whilst also provoking intrigue. It is by tackling this unnatural amalgam that our argument stems. It is above all a question of valuing this ambiguity through an artistic interpretation, without claiming the practical validity of such a proposal. This is what we are claiming in the third eading pact of the genre, through the redefinition of the terms fiction and reality in the literary field.
- PublicationOpen AccessIdentité queer: absence et négation de soi dans "Folle" de Nelly Arcan(Universidad de Murcia, Servicio de Publicaciones., 2019) Bouhadid, NadiaAbstract: Folle of the Canadian writer Nelly Arcan is the space of an attempt at selfreconstruction through an exposure of an identity antagonism generated by a complex relationship maintained with the Other. The exploration of the intimate life is then expressed as a process of recognition and self-denial; time, space and the body are then rationalized by a very stereotyped speech Our study aims to explain the relationship between this self-reconstruction within an identity antagonism and autofictional writing, notably thanks to the concept of queer identity. Our approach will be based on a descriptive and analytical method which is part of an inter disciplinary approach drawing mainly on philosophy, psychoanalysis and studies on the issue of identity and interculturality.