An. filol. fr. 2019, v. 27
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- PublicationOpen AccessÉcriture de soi et de l'autre: récits de filiation et contestation chez Herzog et Picasso(Universidad de Murcia, Servicio de Publicaciones., 2019) Vernier, BéatriceAbstract: This paper examines two ‘‘récits de filiation’’, Un héros by Félicité erzog, the daughter of the famous mountaineer Maurice Herzog, and Grand-père by Marina Picasso, the daughter of the renowned artist Pablo Picasso. These authors dispute the public image of these celebrities by demonstrating that it does not orrespond to the egotist and cruel person that they knew during their childhood. Although the authors seem to reject their filiation with these individuals, we show their willingness to accept the filiation with a father as a great mountaineer and a andfather as a unique painter, but not with the man corrupted by celebrity. These accusations, which modify the public images of these famous individuals, also correspond to the authors’ desire to share with the public their profound pain. By expressing their suffering, the authors free themselves from resentment towards these famous figures, recognizing the context in which they lived and forgiving them. Maurice Herzog and Pablo Picasso were victims of their unconditional admirers, who idolized them as a hero or a genius, a role that these two figures continued to play with their relatives.
- PublicationOpen AccessLe moi minimaliste dans "Mes mauvaises pensées"(Universidad de Murcia, Servicio de Publicaciones., 2019) Ferrety Montiel, VictoriaAbstract: Sometimes named by literary critic as a descendant of Marguerite Duras, the conception of her work seeks above all to represent the ambivalence of a fragmented intimate self, as well as the sexual and amorous between-two. In relation to his writing, in Mes mauvaises pensées Nina Bouraoui reveals through a process of de construction/construction, a writing of the self that condenses processes that recall on certain occasions the nature of texts with component Minimalist. If the presence of the double is permanent in the narrative, the use of the minimalist writing will allow to formulate the presence of the autobiographical self, as well as its relationship to the world.
- PublicationOpen AccessLe je lyrique chez Léopold Sédar Senghor(Universidad de Murcia, Servicio de Publicaciones., 2019) Bobo, Rostand SylvaniusAbstract: This study addresses lyricism from the point of view of the person who supports the poem. The lyrical I has double the actual subject or empirical subject. Studying the lyrical I neces sarily raises the more general problem of the relationship between the author and the narrator, the real subject and the one who says I. The lyrical subject will be seen here not as a faithful reflection of an empirical subject, much less as pure fiction, but rather as a stylized projection of the poet, Leopold Sédar Senghor in this case whose poem The Kaya Magan serves as a corpus. It is, from the figure of the lyrical subject that the analysis will emerge from the text, to discover the intimate self of the cantor of negritude and to reveal some essential features of Senghoian lyricism.
- PublicationOpen AccessJe autofictionnel/ jeux intertextuels: cosmopolitisme et/ ou narcissisme? Dans "Le pays" de Marie Darrieussecq(Universidad de Murcia, Servicio de Publicaciones., 2019) Keltoum, SoualahAbstract: This article discusses the autofictional “I” as the undisputed mediator of the author’s ego meanders. Indeed, it will be question of demonstrating that the “I” sign of narcissism, is not it in the autofictional novel and more particularly in Le Pays , novel written by Marie Darrieussecq and that it is, on the contrary, cosmopolitan because it does not refer only to the author of the novel but rather to all those who have overcome the same pains experienced by the novelist. For this, we will first demonstrate that The Country is an autofictional novel. Then, through intertextual practice, we will highlight the cosmopolitanism of the autofictional “I”. In doing so, our reading will be analytical and detailed and based on a multidisciplinary approach.
- PublicationOpen AccessGérard Genette de "Bardadrac" a "Postscript"(Universidad de Murcia, Servicio de Publicaciones., 2019) Pardo Jiménez, PedroAbstract: Known to that point for his poetics and aesthe - tics studies, Gérard Genette publishes in 2006 Bardadrac, a sort of informal dictionary where he picks up childhood and youth memories, anecdotes from his personal and professional life, travel experiences, reflections on contem - porary society, ideas about art and literature, opinions about the most varied subjects, in - ventories of special linguistic usages, etc. This book begins an autobiographical series which will be completed along the following decade with four further volumes– Codicille (2009), Apostille (2012), Épilogue (2014) y Postscript (2016)– where the writer reveals his less known side in a brilliant exercise of memory, intelligence and sensitivity.
- PublicationOpen AccessLos diarios de Roland Barthes(Universidad de Murcia, Servicio de Publicaciones., 2019) Sirvent Ramos, ÁngelesAbstract: The unpublished texts of a writer, of an intellectual, are always very revealing, and their publications pleasantly welcomed. In this sense, having unveiled, in this 21st century, unpublished texts of Roland Barthes, such as journal entries, are of great value, not only because Barthes had decreed the need for the “death of the author” and not just to know details and personal reflections, but because through them the intimate writing of Roland Barthes is revealed, as well as his hesitations and his projects of future writing. In this article, we show the intrinsic value that these texts –written on notebooks or files– pos - sess, but also, and after observing the drafts of their future project Vita Nova, we let them intuit the use of them in such work; project truncated almost from the beginning because of his premature death.
- PublicationOpen AccessUn acercamiento al interés por la viticultura en el XIX: a propósito de la traducción a francés del "Ensayo sobre las variedades de la vid común que vegetan en Andalucía" de Simón Clemente y Rubio(Universidad de Murcia, Servicio de Publicaciones., 2019) Luque Janodet, FranciscoAbstract: During the eighteenth and nineteenth centuries, the Spanish science has been characterized as a dependent science of the researches and scien - tific discoveries in Europe, especially those proceeding from France, one of the most pro - minent countries in the continent at the cultural and scientific level. In this context, the needs to have access to these discoveries and researches provoked an augmentation of the translation in Spain. Nevertheless, some treatises originally written in Spanish acquired relevance and pres - tige in Europe, among which it is found Simón de Rojas Clemente y Rubio’s Ensayo sobre las variedades de la vic común que vegetan en An - dalucía. This paper focuses the reception and the translation of this book in France, having into account the interest of enology as an emer - gent science during the nineteenth century.
- PublicationOpen AccessÉcriture du moi et violation de la vie privée d’autrui ou la judiciarisation de l’autofiction: "Les petits" de Christine Angot et "Belle et bête" de Marcela Iacub(Universidad de Murcia, Servicio de Publicaciones., 2019) Ngamaleu, JovenselAbstract: This article focuses on the judiciarization of two autofictions: Christine Angot’s Les Petits and Marcela Iacub’s Belle et Bête. These scandalous novels have each been the subject of a lawsuit for violation of the private life of the identifiable characters ortrayed therein. The former cynically overexposes the life of Elise Bidoit, the ex-wife of Angot’s companion. The second is the shameless and provocative story of an ephemeral love between Iacub and the former director of the International Monetary Fund (IMF), Dominique Strauss-Khan. We have jointly mobilise certain aspects of the auctorial posture (Meizoz, 2011) and the critical reception (Jauss, 1990) to carry out ours nalyzes. Thus, it turns out that Angot and Iacub, as two executioners, operated, each in his own way, a cynical literary maneuver aimed primarily at harming their victims or literary preys.
- PublicationOpen AccessBessis, Sophie. 2010. Dedans, dehors. Tunis, Éditeur Elyzad, ISBN: 978-9-973-58028-3, 144 pp.(Universidad de Murcia, Servicio de Publicaciones., 2019) Genovese, Marilena
- PublicationOpen AccessVela, Marta. 2019. Correspondencias entre música y palabra: un estudio sinestésico sobre Harmonie du soir, Baudelaire/Debussy, y Le Gibet, Bertrand/Ravel, Vigo, Academia del Hispanismo, ISBN: 978-84-17696-08-5, 148 pp.(Universidad de Murcia, Servicio de Publicaciones., 2019) Paterson, Carlos
- PublicationOpen AccessHoyos Puente, José Carlos de (2018). Léxico económico en la lengua española de principios del XIX. El Epítome de Jean-Baptiste Say. San Millán de la Cogolla, Cilengua. Fundación San Millán de la Cogolla. ISBN: 978-84-17107-80-2, 291 pp.(Universidad de Murcia, Servicio de Publicaciones., 2019) Castellano Martínez, José María
- PublicationOpen AccessRevisión del “espacio autobiográfico” en la narrativa de Boris Vian(Universidad de Murcia, Servicio de Publicaciones., 2019) Cortijo Talavera, AdelaAbstract: This article addresses the difficulty of establishing limits and categories between reality and fiction in the narrative work and the “writing of the self” by Boris Vian, in relation to the prin ciples of the Pataphysics College to which he belongs. For this, through the concept of “autobiographical space” of Lejeune, which outlines and modifies his theory previously exposed in the Pacte autobiographique, we will focus on the techniques of the language-universe that plays with the principle of identity through the seudonyms, the self-citation and the novelistic transpositions of friends and acquain tances who, masked, are participants in the vicissitudes of their fictional world in which the borders between the lived and the imagined are blurred without ceasing.
- PublicationOpen AccessLa mise à nu du moi malade chez Hervé Guibert(Universidad de Murcia, Servicio de Publicaciones., 2019) Porumb, AncaAbstract: In the middle of AIDS explosion during the 80’s, Hervé Guibert is one of the victims of this unexpected and unknown illness even for the medecine. He is not an ordinary sick person but he is the writer revealing himself completely and considering writing the only way for strug - gling against AIDS, against himself in order to reborn as a new spirit thanks to the power of words.
- PublicationOpen AccessCarriedo, Lourdes & Anne-Marie Reboul (dir.). 2018. Entre escritura e imagen II. Imágenes fijas, imágenes cinéticas. Bruselas, Peter Lang, ISBN: 978-2-8076-0628-9, 202 pp.(Universidad de Murcia, Servicio de Publicaciones., 2019) Sánchez Luque, María Custodía
- PublicationOpen AccessElements de réflexion autour de la didactique de l'écriture/r´eecriture du FLE en contexte algérien(Universidad de Murcia, Servicio de Publicaciones., 2019) Djaoudi, HayatAbstract: The teaching methods are evolving and being redesigned. Thus, the whole idea of the writing process, among scholars, is facing big criti - cism. In such academic climate, the hope is to bring the learning of this important subject into meeting grade level standards. The aim is, pro - bably, to move away from the traditional tea - ching that is mainly based on strengthening the language abilities not, necessarily, the writing skills. These traditional practices have shown many limitations in terms of developing the appropriate writing skills needed to acquire a new language. Therefore, the need for a new approach is becoming an urgent challenge among educators.
- PublicationOpen AccessLa crise de la théâtralité dans "L'Éden cinéma" de Marguerite Duras: mise en pièce du corps vieillissant comme signe d’un renouveau théâtral(Universidad de Murcia, Servicio de Publicaciones., 2019) Kocevar, SavannahAbstract: With its innovative and transgressive structure, L’Éden Cinéma, written by Marguerite Duras is participating in the renewal of the the theatrical genre. By mixing several temporalities and as - sociating bodies young and aging, “cadaverisés” and alive, the fable, hybrid and destructured, evokes through language and represantation how a body (of a person but also of a text) can fade away in order to leave room to a renewal.
- PublicationOpen AccessMarivaux contra la tiranía: la utopía igualitaria de "L'île des esclaves"(Universidad de Murcia, Servicio de Publicaciones., 2019) Ibeas Altamira, Juan ManuelAbstract: In this article we propose the study of Pierre Carlet de Chamblain de Marivaux’s “L’île des esclaves” (1725). This French novelist and dramatist wrote numerous comedies analyzing the stages of love and the fragility of feelings and amorous desire; but a further study shows a “revolutionary” ideology. In this retro-chro - notope Marivaux attacks slavery and invites us to consider the ethics of our choices and ac - tions. If today slavery is one of the things that everyone agrees is unethical, in the eighteenth century this trade made up about de half of Eu - rope’s income, and Marivaux’s arguments were not so easy to accept.
- PublicationOpen AccessMarcel Schwob, illusionniste de vies(Universidad de Murcia, Servicio de Publicaciones., 2019) Ríos Romero, FranciscoAbstract: This article has as subject the theoretical aspects about biography and autobiography, genres connected with the history and with factual contents, and their fusion with other literary genres as the roman, the tales or the essay and how this fusion has generated other modes like the biofiction and autofiction. This division between factual or imaginary contents and the impossibility to determine where it’s the reality or the fiction in the biographical stories has produced a debate among several writers and critics that benefits nowadays the interest in the biographical literature. Many writers of bio - graphical narrative think that Marcel Schwob, an author of XIX century, is one of more in - fluencer writers in this literature for combining fiction and reality in his biographical compositions. By taking as main subject the works of this author, this article shows that many actual characteristics of biographical narrative have been exposed for this author.
- PublicationOpen AccessDe la correspondencia al relato del viaje americano de Humboldt(Universidad de Murcia, Servicio de Publicaciones., 2019) González de Uriarte Marrón, María CristinaAbstract: Based on the historic relationship of the American travel and the letters written during the expedition, we will make an approach to the way Humboldt faces the writing of his ‘itinerary’ and we will observe how the passing of time affects this recollection. We will see that, in addition to the indispensable information selection process, there is and evident concernabout updating the scientific contents and an undeniable desire to please the reader.
- PublicationOpen AccessVers une nouvelle autobiographie: subversions et transformations du genre dans les autobiographies contemporaines françaises(Universidad de Murcia, Servicio de Publicaciones., 2019) Lipscomb, AntonellaAbstract: Autobiography is a genre that Philippe Lejeune defines as the retrospective record in prose that a real person gives to his or her own being, emphasizing the personal life and in particular the story of life (Lejeune, 1975: 14). However, what characterizes the French autobiographies of the past 50 years studied in this article is their desire to detach themselves, even deny the genre adopted for all the negative connotations related to the autobiographical genre. Accused of individualism, gocentrism and narcissism, autobiography is a difficult genre to assume and its values of authenticity and sincerity difficult to guarantee. Attraction and aversion are the contradictory feelings experienced by the autobiographers examined in this article in relation to the genre adopted. Feelings that manifest themselves through the resistance to adhere to any definition, the desire to blur the boundaries between autobiography, biography, self-portrait, journal and fiction, and through a fascinating use of personal pronouns in the narration.