Publication: Los orígenes de la relación jazz–flamenco:
de Lionel Hampton a Pedro Iturralde
(1956 – 1968)
Authors
Zagalaz, Juan
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Este artículo aborda la relación de las culturas jazzística y flamenca a través del análisis
histórico, cultural y musical de las fuentes escritas y sonoras disponibles. El objetivo principal
es ofrecer una perspectiva crítica de las primeras grabaciones comerciales en las que ambas
músicas aparecen relacionadas, entre 1956 y 1968, que abarcan trabajos de Lionel Hampton,
Miles Davis, John Coltrane y Pedro Iturralde. Se ha observado que los intentos de integrar
elementos procedentes de ambas músicas en los distintos contextos todavía se encuentran en
fase experimental en el periodo trabajado, si bien sientan un importante precedente para el
desarrollo de aproximaciones artísticas futuras, como las desarrolladas por Paco de Lucía,
Jorge Pardo o Chano Domínguez.
This article approaches the relationship between jazz and flamenco cultures through the historical, cultural and musical analysis of bibliographical and recorded sources available. The main objective is to offer a critic perspective of the first commercial recordings in which both music appear related, between 1956 and 1968, covering the works done by Lionel Hampton, Miles Davis, John Coltrane and Pedro Iturralde. The attempts of connecting elements from both music in the different contexts are still on an experimental stage in this time period, although they establish an important precedent for the develop of the future artistic approaches, as performed by Paco de Lucía, Jorge Pardo or Chano Domínguez.
This article approaches the relationship between jazz and flamenco cultures through the historical, cultural and musical analysis of bibliographical and recorded sources available. The main objective is to offer a critic perspective of the first commercial recordings in which both music appear related, between 1956 and 1968, covering the works done by Lionel Hampton, Miles Davis, John Coltrane and Pedro Iturralde. The attempts of connecting elements from both music in the different contexts are still on an experimental stage in this time period, although they establish an important precedent for the develop of the future artistic approaches, as performed by Paco de Lucía, Jorge Pardo or Chano Domínguez.
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