Publication: Modelos "teleshakesperianos". El dilema de la literaliedad en la teleficción
Authors
Garí Barceló, Bernat
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Este escrito sostiene que exis-
ten valores narrativos asumidos por la
cultura audiovisual que han ensanchado
los horizontes semiológicos de la tele-
ficción. El deslizamiento de recursos fic-
tivos de un ámbito a otro ha optimizado
la narratividad serial y ha amplificado su
nomenclatura, lo que autoriza la refle-
xión sobre su nuevo estatus en las pági-
nas que siguen. A tales efectos, se des-
pliega un corpus heterogéneo de series
seleccionadas aleatoriamente sin pro-
pósito alguno de exhaustividad para
pensar los nuevos códigos y mecanis-
mos narratológicos que han propiciado
el auge de la teleserie, su revaloración y
su ubicación en el epicentro de una
nueva secuela del clásico apocalípticos
vs. integrados.
This paper holds that the nar- rative values assumed by the audio- visual culture have broadened the se- miological horizons of televised fiction. The transition of fictional resources from one field to another has optimised the serial narrative and augmented its reputation, allowing for the reflection on its new status over the following pages. To this end, a heterogeneous corpus of television series has been se- lected randomly but not exhaustively. This enables consideration of the new codes and narrative mechanisms which have promoted the rise of the television series, its increase in value and its place at the epicentre of a new chapter of the classic cultural debate; namely whether it signifies the beginning of an apocalyp- tic end to culture or can be integrated and ultimately accepted.
This paper holds that the nar- rative values assumed by the audio- visual culture have broadened the se- miological horizons of televised fiction. The transition of fictional resources from one field to another has optimised the serial narrative and augmented its reputation, allowing for the reflection on its new status over the following pages. To this end, a heterogeneous corpus of television series has been se- lected randomly but not exhaustively. This enables consideration of the new codes and narrative mechanisms which have promoted the rise of the television series, its increase in value and its place at the epicentre of a new chapter of the classic cultural debate; namely whether it signifies the beginning of an apocalyp- tic end to culture or can be integrated and ultimately accepted.
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