Publication: No importa que sea LOW-TECH. Una práctica artística feminista
Authors
Ross, Elizabeth
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Publisher
Murcia: Servicio de Publicaciones de la Universidad de Murcia
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DOI
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info:eu-repo/semantics/article
Description
Abstract
La tecnología digital ha sido herramienta de creación y difusión de la
postura de muchas artistas que condenan la violencia androcrática
o machista y proponen posibles salidas a éste fenómeno social que
tanto daño causa a las mujeres y la sociedad entera. Este artículo
reseña brevemente la práctica artística de la autora, que incluye
investigación, textos, instalaciones, intervenciones en el espacio
público, axiones rituales y participativas, fotografía, video, uso de
la web, trabajo directo con grupos, y que está relacionada con su
posición sobre este tema y su incursión dentro de los terrenos
tecnológicos digitales con equipo “a nivel usuario”. Esto no obsta
para que tenga un diálogo artístico constante con el público que
le permite manifestar su postura a nivel global.
ABSTRACT: Digital technology has been a tool for artistic creation and diffusion of a stance of many female artists who condemn androcratic violence in their artwork and at the same time propose possible solutions to this harmful social phenomenon affecting the whole society. This paper is a brief review of the art practice of the author, which includes research, writing, installation, intervention in public spaces, ritual and participative axions, photography, video, web, direct work with groups, related to her position on this issue and her use of “user level” digital technology. However, being low-tech is not a barrier to make her statement in a constant dialogue with the global audience.
ABSTRACT: Digital technology has been a tool for artistic creation and diffusion of a stance of many female artists who condemn androcratic violence in their artwork and at the same time propose possible solutions to this harmful social phenomenon affecting the whole society. This paper is a brief review of the art practice of the author, which includes research, writing, installation, intervention in public spaces, ritual and participative axions, photography, video, web, direct work with groups, related to her position on this issue and her use of “user level” digital technology. However, being low-tech is not a barrier to make her statement in a constant dialogue with the global audience.
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