Publication: El toque por taranta, desde Ramón Montoya hasta la actualidad (I)
Authors
Torres Cortés, Norberto
item.page.secondaryauthor
item.page.director
Publisher
Universidad de Murcia, Servicio de Publicaciones
publication.page.editor
publication.page.department
DOI
item.page.type
info:eu-repo/semantics/article
Description
Abstract
Un análisis retrospectivo del toque por tarantas a través de la discografía, tomando como punto de partida las grabaciones ya míticas de Ramón Montoya y observando cómo ha ido evolucionando hasta la actualidad.
The taranta, womb of the “cantes mineros” (miner songs), arises as flamenco style differentiated in the first years of the 20th century. We analyze how it was in his beginning and the different modalities that were recorded, some of which continue performing nowadays.
The taranta, womb of the “cantes mineros” (miner songs), arises as flamenco style differentiated in the first years of the 20th century. We analyze how it was in his beginning and the different modalities that were recorded, some of which continue performing nowadays.
publication.page.subject
Citation
item.page.embargo
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nc-nd/4.0/