Publication: Diálogo y altercatio en la literatura polémica antijudía.
Authors
Pomer Monferrer, Luis
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/myrtia.412021
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info:eu-repo/semantics/article
Description
Abstract
El diálogo, mayoritariamente empleado en la tradición greco-latina por los
filósofos, fue adaptado como una forma de debate religioso especialmente
adecuada para la controversia. Inició la literatura polémica adversus Iudaeos en el
s. II, y tuvo su momento álgido entre los siglos V y VII, tras más de doscientos
años de paréntesis. La intertextualidad es una de las principales características de
los diálogos y formas dialogadas de la polémica antijudía. Se hace un análisis
específico de la terminología con que son designadas todas estas formas literarias
tanto en griego como en latín. Se relaciona la interacción real de los diálogos
antijudíos con la puesta en escena y la exposición del contexto espacio-temporal.
The dialogue, mostly used by philosophers in the Greco-Roman tradition, was adapted as a form of religious debate particulary suitable for the controversy. Polemic literature adversus Iudaeos began in the 2nd century, and had its climax between the 5th and 7th centuries, after more than 200 years of a pause. In this study, the caracteristics of the dialogues and the dialogical forms of the antiJewish polemic are analyzed: intertextuality is the most remarkable feature. An analysis of the terminology used in all literary forms both in Greek and Latin is also carried out. The underlying actual interaction of the anti-Jewish dialogues is related to the mise-en-scene and the presentation of the spacial and temporal context.
The dialogue, mostly used by philosophers in the Greco-Roman tradition, was adapted as a form of religious debate particulary suitable for the controversy. Polemic literature adversus Iudaeos began in the 2nd century, and had its climax between the 5th and 7th centuries, after more than 200 years of a pause. In this study, the caracteristics of the dialogues and the dialogical forms of the antiJewish polemic are analyzed: intertextuality is the most remarkable feature. An analysis of the terminology used in all literary forms both in Greek and Latin is also carried out. The underlying actual interaction of the anti-Jewish dialogues is related to the mise-en-scene and the presentation of the spacial and temporal context.
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