Publication: Juan de Valdés y Miguel Ángel: una aproximación a la teología del arte
Authors
Sánchez Arenal, Mario
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
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Abstract
Convencidos de la profunda relevancia de la idea como vehículo primero y fundador
del hecho artístico, abordamos el estudio de la obra de Miguel Ángel desde esta inédita
perspectiva multidisciplinar tomando como referencia el legado trascendente de Juan de
Valdés y la repercusión que tuvo su legado dogmático tras su paso por Italia en la década
de 1530. La teología se convierte por tanto en un extraordinario motor de transmisión para
consolidar la vigencia de la forma y el estilo de su tiempo, y arroja a su vez nuevas luces
al paradigma estético del concepto de inspiración. Analizaremos a través de un intrincado
complejo de relaciones fenómenos como la transmisión de ideas y la concreción fgurativa, en
especial los posibles vínculos entre Juan de Valdés, Vittoria Colonna y el propio Buonarroti
en base a una tabla española atribuida al maestro y cobijada en La Rioja.
Convinced of the profound relevance of the idea as main vehicle and founder of art, we tackle the study of Michelangelo’s art work from a multidisciplinary perspective, referring the transcendental and dogmatic inheritance of Juan de Valdés and its impact in Italy in 1530`s decade. Teology becomes an extraordinary engine of transmission in order to consolidate the validity of the form and the style of its period, and illuminates the esthetic paradigm of the inspiration’s concept. We will analyze, through an intricate complex of phenomenos such us the transmission of ideas and the fgurative concretion, specialy the possible links between Juan Valdés, Vittoria Colonna and Buonarroti, according to a Spanish table attributed to the master and kept in La Rioja.
Convinced of the profound relevance of the idea as main vehicle and founder of art, we tackle the study of Michelangelo’s art work from a multidisciplinary perspective, referring the transcendental and dogmatic inheritance of Juan de Valdés and its impact in Italy in 1530`s decade. Teology becomes an extraordinary engine of transmission in order to consolidate the validity of the form and the style of its period, and illuminates the esthetic paradigm of the inspiration’s concept. We will analyze, through an intricate complex of phenomenos such us the transmission of ideas and the fgurative concretion, specialy the possible links between Juan Valdés, Vittoria Colonna and Buonarroti, according to a Spanish table attributed to the master and kept in La Rioja.
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