Publication: La Quarantaine, récit poétique
Authors
Meseguer Paños, Elena
item.page.secondaryauthor
item.page.director
Publisher
Universidad de Murcia, Servicio de Publicaciones.
publication.page.editor
publication.page.department
DOI
item.page.type
info:eu-repo/semantics/article
Description
Abstract
Resumen: Los críticos han establecido dos etapas diferenciadas en la escritura de Le Clézio; una primera etapa en la que su obra es catalogada dentro de la corriente del Nouveau Roman, y una segunda etapa en la que el autor emprende una búsqueda de sus orígenes, rindiendo homenaje a sus antepasados. Sin embargo, la obra de Le Clézio présenta una constante: su dimension poética. Este es el caso de La Quarantaine. Jean-Yves Tadié estableció una definición para el que se ajusta a la obra de Le Clézio pues si examinamos la estructura narrativa de la obra así como el espacio, el tiempo, los significados del relato y el estilo empleados por el autor, podemos observar que participan de la poesía de la obra.
Abstract: The critics have established two differentiated stages in the writing of Le Clézio; the first stage in which his work is catalogued inside the movement of the Nouveau Roman, and the second stage in which the author undertakes a search of his origins, honouring his forbears. Nevertheless, the works of Le Clézio present a constant: their poetical dimension. This is the case of La Quarantaine. Jean-Yves Tadié established a definition for the poetical account that adjusts to the work of Le Clézio, so if we examine the narrative structure of the work as well as the space, the time, the meanings of the account and the style used by the author, we can observe that they take part of the poetry of the work.
Abstract: The critics have established two differentiated stages in the writing of Le Clézio; the first stage in which his work is catalogued inside the movement of the Nouveau Roman, and the second stage in which the author undertakes a search of his origins, honouring his forbears. Nevertheless, the works of Le Clézio present a constant: their poetical dimension. This is the case of La Quarantaine. Jean-Yves Tadié established a definition for the poetical account that adjusts to the work of Le Clézio, so if we examine the narrative structure of the work as well as the space, the time, the meanings of the account and the style used by the author, we can observe that they take part of the poetry of the work.
publication.page.subject
Citation
Meseguer Paños, E. (2009). La Quarantaine, récit poétique. Anales de Filología Francesa, 17, 277–292. Recuperado a partir de https://revistas.um.es/analesff/article/view/95791
item.page.embargo
Collections
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nc-nd/4.0/