Publication: Una hermenéutica fragmentaria: formas breves, símbolo e ironía en el Romanticismo alemán
Authors
Molpeceres Arnáiz, Sara
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
El presente trabajo se ocupa de la conexión existente
entre tres formas breves, la máxima, el aforismo
y el fragmento, entre los siglos XVII, XVIII
y XIX, y en cómo estas formas se relacionan con
la cosmovisión de la época y de los autores que
las utilizan, refejando uno de los momentos más
signifcativos de la historia del pensamiento Occidental:
el paso de la Ilustración al Romanticismo.
Especialmente nos centraremos en el fragmento
romántico, en sus características y en su relación
con otros conceptos importantes dentro de la
poética del Romanticismo alemán del Círculo de
Jena, como son la ironía o el símbolo.
This paper deals with the close connection between three forms of brief discourse such as maxim, aphorism, and fragment during the 17th, the 18th and the 19th Centuries. It also deals with how these three forms are related to the spirit of the different centuries and authors, illustrating one of the most important moments in the history of Western thought: the transition from Enlightenment to Romanticism. We will pay special attention to the particular characteristics of the Romantic fragment and its connections to other Romantic concepts such as ‘irony’ or ‘symbol’ in Early German Romanticism (Jena Romanticism).
This paper deals with the close connection between three forms of brief discourse such as maxim, aphorism, and fragment during the 17th, the 18th and the 19th Centuries. It also deals with how these three forms are related to the spirit of the different centuries and authors, illustrating one of the most important moments in the history of Western thought: the transition from Enlightenment to Romanticism. We will pay special attention to the particular characteristics of the Romantic fragment and its connections to other Romantic concepts such as ‘irony’ or ‘symbol’ in Early German Romanticism (Jena Romanticism).
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