Publication:
El plan narrativo en el «Carmen Paschale» a través de la voz del relator

dc.contributor.authorHernández Mayor, María Dolores
dc.contributor.departmentFilología Clásica
dc.contributor.departmentFilología Clásica
dc.date.accessioned2025-01-22T09:35:35Z
dc.date.available2025-01-22T09:35:35Z
dc.date.issued2021
dc.description© 2021 EratOlim MC. This manuscript version is made available under the CC-BY-NC-ND 4.0 license http://creativecommons.org/licenses/by-nc-nd/4.0/ This document is the Published Manuscript version of a Published Work that appeared in final form in Erat Olim. Nuovi materiali e contributi per la storia della narrativa greco-latina. To access the final edited and published work see https://doi.org/10.13137/2785-1346/31953
dc.description.abstractEn este trabajo se analizan algunos lugares del Carmen Paschale donde se pone de manifiesto la persona del narrador a través de irrupciones de sentido narratológico que pueden aportar luz para la comprensión del poema. El narrador se muestra entre sus versos desde modalidades diferentes: unas veces su voz es programática para explicar el argumento o la forma escogida; otras, exegética o con función pragmática, como cuando implícitamente trata de igualarse a los relatos de los evangelistas. Sobresalen estrategias narrativas que evidencian la unidad del relato y la estructura equilibrada de mirabilia del Antiguo y Nuevo Testamento. Por todo ello concluimos que el relator aparece en el poema como protagonista de un hilo argumental al margen del de la diégesis narrativa de milagros. ----------------es
dc.description.abstractIn this work, some places in Carmen Paschale are analysed; where the person of the narrator is revealed through irruptions of narratological sense, that can provide light for the understanding of the poem. The narrator shows himself among his verses in different modes: sometimes his voice is programmatic to explain the argument or the chosen form; others, exegetical or with a pragmatic function, as when it implicitly tries to be equated with the accounts of the evangelists. Some narrative strategies stand out that the unity of the story and the balanced structure of the mirabilia of the Old and New Testaments. For all these reasons, we conclude that the narrator appears in the poem as the main character of a different storyline from the narrative diegesis of miracles.
dc.formatapplication/pdfes
dc.format.extent35es
dc.identifier.citationErat olim. Nuovi materiali e contributi per la storia della narrativa greco-latina, 2021, Vol. 1, pp. 117-151
dc.identifier.doihttps://doi.org/10.13137/2785-1346/31953
dc.identifier.issnPrint: 2785-1958
dc.identifier.issnElectronic: 2785-1346
dc.identifier.urihttp://hdl.handle.net/10201/149034
dc.languagespaes
dc.relationSin financiación externa a la Universidades
dc.relation.publisherversionhttps://www.openstarts.units.it/entities/publication/9f8dc1e5-d441-4e87-a95a-13cb0a1b55d3/details
dc.rightsinfo:eu-repo/semantics/openAccesses
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMiraclees
dc.subjectDiegesis
dc.subjectNarration
dc.subjectGospel
dc.subjectArrius
dc.subjectPoetic program
dc.subjectMeta narrative
dc.subjectStory
dc.subjectModel
dc.subject.otherCDU::8- Lingüística y literatura::82 - Literaturaes
dc.titleEl plan narrativo en el «Carmen Paschale» a través de la voz del relatores
dc.typeinfo:eu-repo/semantics/articlees
dspace.entity.typePublicationes
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