Publication: La política estética de Guillermo Sucre
Authors
Antzus Ramos, Ioannis
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Guillermo Sucre, nacido en Venezuela en 1933,
es considerado uno de los críticos más importan
-
tes de la poesía hispanoamericana del siglo XX, y
sus libros
Borges, el poeta
(1967) y
La máscara,
la transparencia
(1975) son referencias indispen
-
sables para el estudio de la poesía moderna del
continente. En el presente artículo analizamos las
constantes de la crítica literaria que Sucre publi
-
ca a partir de 1968, prestando especial atención a
las implicaciones políticas de sus planteamientos
estéticos.
Guillermo Sucre (Venezuela, 1933) is considered to be one of the greatest critics of Latin American poetry of the 20th century, and his books Bor - ges, el poeta (1967) and La mascara, la transpa - rencia (1975) are essential to the study of Latin America ́s modern poetry. In the present article, I analyze the main concepts of the critical essays published by Sucre from 1968, paying special at - tention to the political implications of his aesthe - tical ideas
Guillermo Sucre (Venezuela, 1933) is considered to be one of the greatest critics of Latin American poetry of the 20th century, and his books Bor - ges, el poeta (1967) and La mascara, la transpa - rencia (1975) are essential to the study of Latin America ́s modern poetry. In the present article, I analyze the main concepts of the critical essays published by Sucre from 1968, paying special at - tention to the political implications of his aesthe - tical ideas
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