Publication: La oralidad en la subtitulación de productos de ficción lingüística y culturalmente marcados
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Date
2024-11-20
Authors
Alessandro, Arianna ; Zamora Muñoz, Antonio Pablo
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Publisher
Universidad de Granada
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DOI
https://doi.org/10.30827/sendebar.v35.29896
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info:eu-repo/semantics/article
Description
© 2024 Universidad de Granada. This manuscript version is made available under the CC-BY-NC 4.0 license http://creativecommons.org/licenses/by-nc/4.0/
This document is the Published version of a Published Work that appeared in final form in Sendebar. To access the final edited and published work see https://doi.org/10.30827/sendebar.v35.29896
Abstract
La reducción de las marcas de oralidad es una de las estrategias a las que más se recurre en la subtitulación. En este estudio se analiza la traducción de la oralidad prefabricada en productos de ficción marcados en el plano lingüístico y cultural. A tal fin, utilizamos un corpus paralelo bilingüe formado por dos series originales italianas análogas por la temática y el lenguaje empleado, Romanzo criminale y Suburra, y sus correspondientes versiones meta subtituladas al español peninsular. Asimismo, se estudia si el distanciamiento temporal existente entre la elaboración de los dos productos subtitulados analizados y el diferente formato y canal de distribución empleados —DVD y plataforma streaming respectivamente— han influido en la conservación o estandarización de la oralidad en los subtítulos. Los resultados no muestran cambios significativos en las pautas aplicadas en ambos productos, en los que siguen prevaleciendo las convenciones y estrategias tradicionales de la subtitulación. ------------------
The reduction of orality markers is one of the most common strategies used in subtitling. The article deals with the problem of translating prefabricated orality in linguistically and culturally marked fictional products. For this purpose, we analyze a parallel bilingual corpus consisting of two original Italian series, Romanzo criminale and Suburra, which are similar in terms of the subject matter and varieties of language used, and their corresponding subtitled versions into Peninsular Spanish. We also examine whether the temporal distance between two series analyzed, as well as the different broadcasting format and distribution channel used —DVD and streaming platform respectively— have had an impact on the preservation or standardization of orality markers in the subtitles. The results show no significant changes in the patterns applied in both products, where traditional subtitling conventions and strategies prevail.
The reduction of orality markers is one of the most common strategies used in subtitling. The article deals with the problem of translating prefabricated orality in linguistically and culturally marked fictional products. For this purpose, we analyze a parallel bilingual corpus consisting of two original Italian series, Romanzo criminale and Suburra, which are similar in terms of the subject matter and varieties of language used, and their corresponding subtitled versions into Peninsular Spanish. We also examine whether the temporal distance between two series analyzed, as well as the different broadcasting format and distribution channel used —DVD and streaming platform respectively— have had an impact on the preservation or standardization of orality markers in the subtitles. The results show no significant changes in the patterns applied in both products, where traditional subtitling conventions and strategies prevail.
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Citation
Sendebar, 2024, Vol. 35, pp. 161-181
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