Publication: Estética, cine y tragedia
Authors
Pérez, Berta M.
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Publisher
Universidad de Murcia
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Este trabajo propone caracterizar
como «estética contramoderna» una línea de
pensamiento que, desde el último Kant hasta
Heidegger, se enfrenta al dominio de la teoría y
reivindica la vinculación del ámbito estético a una
verdad radicalmente trágica. Presenta después el
fenómeno cinematográfico como un medio que
la estética moderna interpreta según su propia
concepción del arte para integrarlo en el orden
y la ideología del capitalismo avanzado. Y, por
último, argumenta que la visión alternativa del cine qeu Slavoj Zizek defiende enlaza, en virtud del carácter trágico de la metafísica que le subyace,
con lo que se ha presentado como estética
contramoderna.
This paper proposes to call «countermodern aesthetics» a philosophical line that, reaching from the last Kant to Heidegger, would oppose to the modern dominance of theory while acknowledging the inner connection of the aesthetic to truth, to the tragic truth. It presents then cinema as a mass medium that modern aesthetics interprets according to its own conception of art in order to fit it into the advanced capitalist system and its ideology. And, finally, it argues that S. Zizdk's alternative understanding of cinema, because of the tragic condition of its very underlying metaphysics, continues the tradition that has been presented as «counter-modern aesthetics».
This paper proposes to call «countermodern aesthetics» a philosophical line that, reaching from the last Kant to Heidegger, would oppose to the modern dominance of theory while acknowledging the inner connection of the aesthetic to truth, to the tragic truth. It presents then cinema as a mass medium that modern aesthetics interprets according to its own conception of art in order to fit it into the advanced capitalist system and its ideology. And, finally, it argues that S. Zizdk's alternative understanding of cinema, because of the tragic condition of its very underlying metaphysics, continues the tradition that has been presented as «counter-modern aesthetics».
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