Publication: Pasados queer. Algunos ejercicios de memoria afectiva en las prácticas artísticas queer españolas
Authors
Martínez Oliva, Jesús
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Facultades de la UMU::Facultad de Bellas Artes
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Publisher
Ediciones UPV-HE
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Muñoz Fernández, Francisco Javier
Bartolomé García, Fernando R.
Bartolomé García, Fernando R.
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DOI
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info:eu-repo/semantics/bookPart
Description
Abstract
Algunas de las prácticas artísticas recientes interesadas en reflexionar sobre cuestiones relativas al género y la diversidad sexual han vuelto su mirada hacia la historia y las metodologías de la excavación del pasado. El uso de una temporalidad dislocada (no lineal) propia de las metodologías de trabajo queer permite iluminar la compleja relación entre el presente y el pasado de la opresión en cuestiones de género, sexo y sexualidad. Estos trabajos, mediante ejercicios de memoria afectiva, rescatan los potenciales de los restos del pasado para repensar el presente y el futuro, a la vez que establecen plataformas de contacto entre sujetos y tiempos. -----------
Some of the recent artistic practices interested in reflecting on issues of gender and sexual diversity have turned their gaze towards history and methodologies of excavating the past. The use of a dislocated (non-linear) temporality characteristic of queer working methodologies allows us to illuminate the complex relationship between the present and the past of oppression in matters of gender, sex and sexuality. These works, through exercises of affective memory, rescue the potentials of the remains of the past to rethink the present and the future, while establishing platforms of contact between subjects and times.
Some of the recent artistic practices interested in reflecting on issues of gender and sexual diversity have turned their gaze towards history and methodologies of excavating the past. The use of a dislocated (non-linear) temporality characteristic of queer working methodologies allows us to illuminate the complex relationship between the present and the past of oppression in matters of gender, sex and sexuality. These works, through exercises of affective memory, rescue the potentials of the remains of the past to rethink the present and the future, while establishing platforms of contact between subjects and times.
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