Monteagudo 2016, N. 21
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- PublicationOpen AccessManías, absurdeces y grandes pequeñeces: De mutuo acuerdo y otras menudencias, de Diana M. de Paco Serrano(2016-05-05) Freear-Papio, Helen
- PublicationOpen AccessLos afanosos traductores del 27(2016-05-05) Moreno Ayora, Antonio
- PublicationOpen AccessEl tiempo entre costuras(2016-05-05) Baeza Mula, Alma
- PublicationOpen Access"La señal que se espera" y las arpas eólicas(2016-05-05) Iglesias Feijoo, LuisLa señal que se espera (1952) is a play of no great interest. However the analysis discover aspects of the future production of Buero Vallejo. This paper examines some of the principal themes and the origin of the motif of the aeolian harp.
- PublicationOpen Access¿Quién era Antonio Buero Vallejo? Una respuesta parcial a la pregunta insondable de "El tragaluz"(2016-05-05) W. O' Connor, PatriciaBuero said that theater was the realization of his life and that when he died, only his plays would remain, and Buero would be those plays. Regarding the authors that he himself admired, however, he determined to " continue remembering them alive and active both through their works and his own memories (OC II, pág. 1204). This article will share my memories of Buero, alive and active, and will point out some experiences that find expression in his theater.