Browsing by Subject "Arte contextual"

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    Comida en el arte contextual: concepto, catalizador o nexo
    (Grupo de Investigación de la Universidad Complutense Concilium, 2025-09-12) Borisova Fedotova, Anna; Bellas Artes
    Introducción: El presente artículo analiza las prácticas artísticas contextuales, cuyo componente central consiste en preparar, servir y compartir la comida, buscando discernir las funciones del alimento en este tipo de intervenciones. Metodología: Para ello, usando el método de análisis semántico de las publicaciones críticas y académicas, presentamos una selección que refleja la evolución de esta tendencia en el arte y ejemplifica sus principales caminos de desarrollo. Resultados: Las primeras tentativas de ligar la vida y el arte a través de la comida, como los restaurantes de artistas, abrieron camino para incorporar el alimento en la producción creativa tanto en calidad de material, como de elemento relacional. Discusión: Observamos que la comida puede desempeñar tres principales papeles dentro de las iniciativas artísticas contextuales: servir de nexo para unir a las personas involucradas, plantear una reflexión acerca de los significados vinculados a esta acción universal o presentarse como un catalizador del cambio en el tejido social, en la percepción del espacio urbano compartido u otros ámbitos seleccionados como objetivo. Conclusiones: La interpretación de estas funcionalidades en cada proyecto influye en la relación que se establece entre sus participantes, el alimento y el lugar de la acción. ---------------
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    Itinerarios del arte contemporáneo en la ciudad. Affinità. Cinque artisti per San Gimignano
    (Universidad de Murcia, Servicio de Publicaciones, 2025) Gómez Ubierna, Marta
    The connection between art and the city in Italy is a rich and complex theme, deeply rooted in history and culture. This relationship has led to the recent transformation of urban public spaces into contemporary art laboratories, fostering a sense of belonging and critical reflection on the city. In this context, Giuliano Briganti and Luisa Laureati commissioned Affinità. Cinque artisti a San Gimignano starting in 1991, a gallery of contemporary sculptures created by Italian artists associated with Arte Povera, scattered throughout the public spaces of the historic center of San Gimignano (Italy). Following the principles of contextual art, as theorized by Paul Ardenne, the exhibition aimed to establish a dialogue on aesthetic affinities between the city’s medieval past and its present, through contemporary “infiltrations” that continue to revitalize public space today, creating an active experience.
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    Nuevos procesos y materiales pictóricos en el arte contextual. El proyecto rompiendo patrones como caso de estudio
    (Servicio de Publicaciones de la Universidad de Murcia, 2025) Gallego Martínez, María Dolores
    The purpose of this article is to review in depth and in detail the main characteristics (conceptual, technical, aesthetic and artistic) of the site-specific pictorial project: Rompiendo Patrones[Breaking Patterns], as well as to make visible and highlight the entire co-creation process carried out by more than thirty-five people during the months of August and December 2023. In the various sections and subsections of the text, it explains how it was initially idealised in Romania and what kind of textile heritage that it is inspired. It also presents the various phases of the design process that took place in Granada (Spain) and discusses in detail the working methodology used to create the pieces, the assembly and opening in Doña Mencía (Córdoba, Spain) and the dismantling for conservation and possible exhibition in other places. Therefore, Rompiendo Patrones [Breaking Patterns] is an example of a contemporary painting made with textile techniques and materials, through digital and handcrafted processes, designed to be exhibited in a specific public context as textile graffiti and with the aim of publicly paying homage to women of previous generations. Rompiendo Patrones [Breaking Patterns] is one of the artistic projects created specifically for the 25th edition of DMencia 2023, the Contemporary Art Exhibition of Doña Mencía, curated by Moisés Bedmar and with the theme: ‘What happens in the street. Public art and citizen coexistence’.