Publication: Del castillo al burgo. El itinerario viajero en los comienzos de la narrativa medieval
Authors
Carmona Fernández, Fernando
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Publisher
Murcia, Universidad de Murcia, Servicio de Publicaciones
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DOI
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info:eu-repo/semantics/article
Description
Abstract
La concepción del ser humano como homo viator caracteriza las manifestaciones de
civilización del occidente medieval cristiano. Los comienzos de su literatura dan al viaje una
especial importancia para el desarrollo de la narración. La literatura caballeresca del siglo
XII (Chrétien de Troyes) coloca el itinerario viajero de sus personajes en un espacio peculiar
que se va diferenciar de las narraciones de unos años después (Jean Renart) que se sitúan en
un nuevo espacio. El paso del castillo al burgo supone, más que un cambio de decorado, una
nueva percepción de la realidad que prepara la narrativa posterior y la aparición de los libros
de viaje en la segunda mitad del mismo siglo.
ABSTRACT The concept of man as homo viator portraits the manifestations of civilization of the medieval Christian Western. In the beginnings of its literature the travel is particularly important for the development of the narrative. Chivalric literature of the twelfth century (Chrétien de Troyes) places the travel itinerary of his characters in a particular space to be distinguished from the narrations of a few years later (Jean Renart) which are situated in a new space. The transition from the castle to the town is more than a change of set, it shows a new perception of the reality that prepares the following narrative and the emergence of travel books in the second half of the century.
ABSTRACT The concept of man as homo viator portraits the manifestations of civilization of the medieval Christian Western. In the beginnings of its literature the travel is particularly important for the development of the narrative. Chivalric literature of the twelfth century (Chrétien de Troyes) places the travel itinerary of his characters in a particular space to be distinguished from the narrations of a few years later (Jean Renart) which are situated in a new space. The transition from the castle to the town is more than a change of set, it shows a new perception of the reality that prepares the following narrative and the emergence of travel books in the second half of the century.
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