Publication: Jacques Rancière. Contra-historias estéticas
Authors
Infante del Rosal, Fernando
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Publisher
Universidad de Murcia. Servicio de Publicaciones
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DOI
http://dx.doi.org/10.6018/daimon/224791
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info:eu-repo/semantics/article
Description
Abstract
Este artículo se plantea definir en qué
medida la estética de Jacques Rancière constituye
un programa a seguir, un nuevo modo de reflexión
estética dedicado tanto a la revisión de la historia
del arte moderno como a la autocomprensión de
la estética. Para ello, se centra en el análisis de
la reescritura de la modernidad artística empren-
dida por el filósofo francés señalando cuáles son
sus ejes conceptuales y sus herramientas. Por otra
parte, se propone la tesis de que la estética, como
formuladora en términos comprensibles del “régi-
men de identificación del arte”, está determinada
a convertir sus conceptos en valores.
This paper aims to define terms in which the aesthetic thought of Jacques Rancière is a program to follow, a new mode of aesthetic reflection dedicated to both, reviewing the history of modern art and self-understanding of aesthetics. For that, this article focuses on analysing the rewriting of the artistic modernity undertaken by Rancière, noting what his conceptual axes and tools are. Furthermore, proposing the thesis that the aesthetic, as formulated in understandable terms in the “regime of identification of art”, is determined to turn its concepts into values.
This paper aims to define terms in which the aesthetic thought of Jacques Rancière is a program to follow, a new mode of aesthetic reflection dedicated to both, reviewing the history of modern art and self-understanding of aesthetics. For that, this article focuses on analysing the rewriting of the artistic modernity undertaken by Rancière, noting what his conceptual axes and tools are. Furthermore, proposing the thesis that the aesthetic, as formulated in understandable terms in the “regime of identification of art”, is determined to turn its concepts into values.
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Citation
Daimon. Revista Internacional de Filosofía, nº 70, 2017, 67-81
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