Publication: Migración ficticia e identidades en las proto-performances de Conchita Jurado (Ciudad de México, 1926-1931)
Authors
Mindek, Dubravka ; Molina-Alarcón, Miguel
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Publisher
Murcia: Servicio de publicaciones de la Universidad de Murcia
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DOI
https://doi.org/10.6018/320011
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info:eu-repo/semantics/article
Description
Abstract
En este artículo se considera el significado socio cultural de las
balmoreadas, una especie de bromas pesadas, que surgen como
respuesta creativa a la migración privilegiada de españoles a
México posrevolucionario y cuyas víctimas fueron personas
de más diversos perfiles. Asimismo, en el texto se reflexiona
críticamente sobre la construcción mutua de identidades de
Concepción Jurado, una mujer común de la época y el personaje
ficticio que caracterizó en la realización de las balmoreadas,
un rico inmigrante español, Don Carlos Balmori, quien terminó
eclipsándola. Por último, el artículo subraya la importancia de las
balmoreadas como precursoras del arte de acción o performance
art.
This article considers the socio-cultural meaning of the balmoreadas, a kind of heavy jokes that arise as a creative response to the privileged migration of Spaniards to postrevolutionary Mexico and whose victims were a wide range of persons. The text also reflects critically on the mutual construction of identities, these of Concepcion Jurado, a common woman of her time and the one of the fictional person she played in the completion of the balmoreadas, a rich Spanish immigrant Don Carlos Balmori who ended up eclipsing her. Finally, the article emphasizes the importance of balmoreadas as precursors of the art of action or performance art.
This article considers the socio-cultural meaning of the balmoreadas, a kind of heavy jokes that arise as a creative response to the privileged migration of Spaniards to postrevolutionary Mexico and whose victims were a wide range of persons. The text also reflects critically on the mutual construction of identities, these of Concepcion Jurado, a common woman of her time and the one of the fictional person she played in the completion of the balmoreadas, a rich Spanish immigrant Don Carlos Balmori who ended up eclipsing her. Finally, the article emphasizes the importance of balmoreadas as precursors of the art of action or performance art.
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Citation
Arte y políticas de identidad, Vol. 17 (2017)123-138
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