Publication: Cuando la pintura amplía la arquitectura: Intervenciones realizadas en el espacio público
Authors
Ruiz Abellon, A. ; Ruiz-Abellón, Ana ; Alcaide Ramírez, Aurora
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Publisher
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DOI
http://dx.doi.org/10.12795/ppa
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info:eu-repo/semantics/article
Description
©<2021>. This manuscript version is made available under the CC-BY-NC-ND 4.0 license http://creativecommons.org/licenses/by-nc-nd/4.0/
This document is the Published Manuscript version of a Published Work that appeared in final form in [Proyecto, progreso, arquitectura]. To access the final edited and published work see[: http://dx.doi.org/10.12795/ppa]
Abstract
El artículo analiza cuatro intervenciones pictóricas llevadas a cabo en el espacio público en las que la pintura actúa
sobre la arquitectura, y a veces también sobre el pavimento y mobiliario urbano colindante, produciendo una resignificación del
lugar. Los proyectos seleccionados, The museum of gravity, de Krijn de Koning; Color Jam, de Jessica Stockholder; Rockaway, de
Katharina Grosse y la intervención en la empresa Flax Art & Design de Heather Day, amplían la arquitectura intervenida posibilitando
maneras diversas de experimentarla y percibirla. Para conseguir este fin, estas propuestas se materializan mediante composiciones
abstractas (geométricas o gestuales-orgánicas) en las que el color detenta el máximo protagonismo, suponiendo un aporte adicional a la tonalidad original del entorno arquitectónico sobre el que se aplica, generalmente neutra y sin ninguna función específica.
Entre las principales conclusiones del estudio destaca la utilización del color en todas las propuestas por su valor intrínseco y por
su capacidad para transformar la percepción de las propiedades formales de la arquitectura intervenida; la unión de pasado y
presente en dos de ellas, al actuar sobre edificios en ruinas o abandonados; la reversibilidad o carácter efímero de la mayoría de
los proyectos; el diálogo con el entorno; la aproximación al urbanismo táctico en diferentes sentidos y el alejamiento de un planteamiento puramente decorativista.
This paper analyses four pictorial interventions carried out in a public setting; painting acts upon architecture in all of them, and occasionally over the road surface and nearby street furniture, achieving a re-signification of the place. The projects chosen (The Museum of Gravity by Krijn de Koning; Color Jam by Jessica Stockholder; Rockaway! by Katharina Grosse; and the intervention at Flax Art & Design by Heather Day) enhance the intervened-upon architecture, and allow for different ways of experiencing and perceiving it. To that end, these proposals are shaped by means of abstract compositions (geometric or gestural-organic) in which colours play the main role, providing the original hues of the architectural environment over which they are applied –usually neutral and without any specific function- with their additional contribution. Among the main conclusions of the study, we should highlight the use of colour in every work for its intrinsic value and for its ability to change the perception of the formal properties of the intervened-upon architecture; the joining of past and present in two of them because of acting on dilapidated or abandoned buildings; the reversibility or ephemeral nature of most projects; the dialogue with the environment; an approach close to tactical urbanism in different ways, and keeping purely decorative approaches at a great distance
This paper analyses four pictorial interventions carried out in a public setting; painting acts upon architecture in all of them, and occasionally over the road surface and nearby street furniture, achieving a re-signification of the place. The projects chosen (The Museum of Gravity by Krijn de Koning; Color Jam by Jessica Stockholder; Rockaway! by Katharina Grosse; and the intervention at Flax Art & Design by Heather Day) enhance the intervened-upon architecture, and allow for different ways of experiencing and perceiving it. To that end, these proposals are shaped by means of abstract compositions (geometric or gestural-organic) in which colours play the main role, providing the original hues of the architectural environment over which they are applied –usually neutral and without any specific function- with their additional contribution. Among the main conclusions of the study, we should highlight the use of colour in every work for its intrinsic value and for its ability to change the perception of the formal properties of the intervened-upon architecture; the joining of past and present in two of them because of acting on dilapidated or abandoned buildings; the reversibility or ephemeral nature of most projects; the dialogue with the environment; an approach close to tactical urbanism in different ways, and keeping purely decorative approaches at a great distance
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Citation
24
Proyecto, progreso, arquitectura
http://dx.doi.org/10.12795/ppa.2021.i24.04
Proyecto, progreso, arquitectura
http://dx.doi.org/10.12795/ppa.2021.i24.04
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