Publication: El poeta frente a lo político: Rimbaud y la Comuna de París
Authors
Khan, Salah J.
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Publisher
Murcia: ACEP
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DOI
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info:eu-repo/semantics/article
Description
Abstract
La producción literaria de Rimbaud no es un cuerpo de trabajo autónomo que pueda ser
aislado del mundo revolucionario en el que está escrito. Lejos de ser un ejemplo de l ́art
pour l ́art, su obra, tanto práctica como teórica, muestra el apoyo constante del poeta a
los movimientos históricos radicales, en particular a la Comuna de París, que siguió muy
de cerca. Rimbaud mostró especialmente un intenso interés en una crítica de gran
alcance del trabajo. La figura de "l ́éclair" es uno de los loci donde el enlace entre su
poética y su política es más visible.
Rimbaud's literary production is not a self-contained body of work that can be isolated from the revolutionary world in which it is written. Far from an example of l ́art pour l ́art, his œuvre, both practical and theoretical, demonstrates the poet ́s consistent support for radical historical movements, notably the Paris Commune, which he followed closely. In particular, he sustained a strong interest in a far-reaching critique of work. The figure of "l ́éclair" is one of the loci where the link between his poetics and his politics is most visible.
Rimbaud's literary production is not a self-contained body of work that can be isolated from the revolutionary world in which it is written. Far from an example of l ́art pour l ́art, his œuvre, both practical and theoretical, demonstrates the poet ́s consistent support for radical historical movements, notably the Paris Commune, which he followed closely. In particular, he sustained a strong interest in a far-reaching critique of work. The figure of "l ́éclair" is one of the loci where the link between his poetics and his politics is most visible.
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Citation
Pensamiento al margen, nº 5, 2016
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