Publication: Jean Giono, un écrivain cassé: histoire d’une “crise morale”.
Authors
Bonnet, Dominique
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
https://doi.org/10.6018/analesff.660461
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info:eu-repo/semantics/article
Description
Abstract
A inicios de los años 30, Jean Giono atraviesa lo que él llama una “crisis moral”, que puede entenderse fácilmente como una depresión. Su traumática experiencia en las trincheras de la Primera Guerra Mundial no le abandona. Entonces su relación al mundo cambia, y su escritura se altera tanto en la forma como en las temáticas. En primer lugar, trataremos de analizar las causas de esta crisis anímica, luego buscaremos sus huellas en la obra de Giono y, por último, mostraremos cómo treinta años más tarde, la melancolía de Juan Ramón Jiménez, en la que Giono se sumergió cuando leyó Platero y yo, en el marco del proyecto de adaptación cinematográfica que se le propuso en 1958, hizo resurgir su trauma de la guerra y parte de su crisis anímica. Al tratar de comprender y definir el alcance de esta crisis moral, buscamos identificar sus causas y consecuencias, así como determinar su importancia en el conjunto de la obra de Giono.
Abstract: In the early 1930s, Jean Giono was experiencing what he called a “moral crisis”, which could easily be understood as a depression. His traumatic experience in the trenches of the First World War do not leave him. His relationship to the world changes, and his writing alters in both form and subject matter. First of all, we will try to analyse the causes of this mental crisis, then we will look for traces of it in Giono's work and, finally, we will show how, thirty years later, the melancholy of Juan Ramón Jiménez, into which Giono immersed himself when he read Platero y yo, as part of the adaptation project proposed to him in 1958, brought back to life his war trauma and part of his mental crisis. In trying to understand and define the scope of this moral crisis, we seek to identify its causes and consequences, as well as to determine its importance in Giono's work as a whole.
Abstract: In the early 1930s, Jean Giono was experiencing what he called a “moral crisis”, which could easily be understood as a depression. His traumatic experience in the trenches of the First World War do not leave him. His relationship to the world changes, and his writing alters in both form and subject matter. First of all, we will try to analyse the causes of this mental crisis, then we will look for traces of it in Giono's work and, finally, we will show how, thirty years later, the melancholy of Juan Ramón Jiménez, into which Giono immersed himself when he read Platero y yo, as part of the adaptation project proposed to him in 1958, brought back to life his war trauma and part of his mental crisis. In trying to understand and define the scope of this moral crisis, we seek to identify its causes and consequences, as well as to determine its importance in Giono's work as a whole.
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Citation
Bonnet, D. (2025). Jean Giono, un écrivain cassé: histoire d’une “crise morale”. Anales De Filología Francesa, 33. https://doi.org/10.6018/analesff.660461
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