Publication: Angelica, el teatro en libertad de Leo Ferrero
Authors
Hernández González, María Belén
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Publisher
Universidad de Murcia, Servicio de publicaciones.
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Résumé: En 1936, à Paris, la compagnie Pitoëff a donné
la première d’Angelica, un drame satirique
en trois actes, écrit en français par Leo Ferrero.
L’auteur italien s`était exilé en France en 1929
décidé à devenir un écrivain français et à ne
plus retourner au pays gouverné par Mussolini.
Cependant, à cause de la prématurée disparition
de Ferrero, Angelica fut représentée après
sa mort et l’une des voix les plus critiques contre
le fascisme fut ainsi brisée. Nous proposons
une étude sur le signifié international de cette
oeuvre face à la menace totalitaire anticipant la
Guerre Civile Espagnole et la Deuxième Guerre
Mondiale.
Abstract: In 1936 the company Pitoëff premiered in Paris Angelica, satirical drama in three acts, written in French by Leo Ferrero. The Italian author was in exile in France since 1929 with the conviction to become a French writer and never return to his country, ruled by Mussolini at the time. However, due to the premature death of Ferrero, Angelica was shown posthumously and one of most critical voices against fascism was silenced. We propose a study on the international significance of this drama against the totalitarian threat, as it became anticipatory of Spanish Civil War and the Second World War
Abstract: In 1936 the company Pitoëff premiered in Paris Angelica, satirical drama in three acts, written in French by Leo Ferrero. The Italian author was in exile in France since 1929 with the conviction to become a French writer and never return to his country, ruled by Mussolini at the time. However, due to the premature death of Ferrero, Angelica was shown posthumously and one of most critical voices against fascism was silenced. We propose a study on the international significance of this drama against the totalitarian threat, as it became anticipatory of Spanish Civil War and the Second World War
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Citation
Hernández González, M. B. (2013). Angelica, el teatro en libertad de Leo Ferrero. Anales de Filología Francesa, 21, 105–122. Recuperado a partir de https://revistas.um.es/analesff/article/view/188171
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