Publication: Una banda sonora para el respeto: drill, estigma y trayectorias sociales de los hijos de inmigrantes
Authors
Pedreño Cánovas, Andrés ; Cutillas Fernández, Isabel ; Sánchez García, Miguel Ángel
item.page.secondaryauthor
Facultades de la UMU::Facultad de Economía y Empresa
item.page.director
Publisher
Centro Scalabriniano de Estudos Migratórios
publication.page.editor
publication.page.department
DOI
https://doi.org/10.1590/1980-858525038800032111
item.page.type
info:eu-repo/semantics/article
Description
Abstract
Este artículo analiza la relación entre el drill como género musical y el
protagonismo que tienen en él las franjas más desafiliadas de los jóvenes de
origen inmigrante. Nos servimos de las herramientas teóricas de Abdelmalek
Sayad para pensar: de un lado, el estrechamiento de las posibilidades vitales
de los hijos e hijas de la migración; y de otro, entender el drill como una
estrategia subversiva contra los procesos de estigmatización que experimentan
los jóvenes de origen migrante que residen en barrios segregados. Para ello
analizamos la propuesta musical de Key 21, uno de los mayores exponentes
del drill, residente en una zona de trabajadores jornaleros de la agricultura
intensiva en el sur de España. El análisis de las canciones de Key 21 muestra las
estrategias de los jóvenes hijos de la migración para transformar el estigma en
emblema de la propia identidad y de la identidad de sus barrios.
This article analyses the relationship between drill as a musical genre and the leading role played in it by the most alienated groups of young people of immigrant origin. We use Abdelmalek Sayad’s theoretical tools to consider, on the one hand, the narrowing of the life possibilities of the sons and daughters of migration and, on the other hand, to understand drill as a subversive strategy against the processes of stigmatisation experienced by young people of migrant origin living in segregated neighbourhoods. To this end, we analyse the musical proposal of Key 21, one of the main exponents of drill, who lives in an area of day labourers in intensive agriculture in the south of Spain. The analysis of Key 21’s songs shows the strategies of young migrant children to transform stigma into an emblem of their own identity and the identity of their neighbourhood.
This article analyses the relationship between drill as a musical genre and the leading role played in it by the most alienated groups of young people of immigrant origin. We use Abdelmalek Sayad’s theoretical tools to consider, on the one hand, the narrowing of the life possibilities of the sons and daughters of migration and, on the other hand, to understand drill as a subversive strategy against the processes of stigmatisation experienced by young people of migrant origin living in segregated neighbourhoods. To this end, we analyse the musical proposal of Key 21, one of the main exponents of drill, who lives in an area of day labourers in intensive agriculture in the south of Spain. The analysis of Key 21’s songs shows the strategies of young migrant children to transform stigma into an emblem of their own identity and the identity of their neighbourhood.
publication.page.subject
Citation
REMHU, Revista Interdisciplinar Da Mobilidade Humana, 2024, 32, e321946
item.page.embargo
Collections
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by/4.0/