Publication:
El tratamiento de la mujer negra en la novela Trilogía sucia de La Habana de Pedro Juan Gutiérrez.

dc.contributor.authorOramas Díaz, Manuel Martín
dc.contributor.authorChávez Gallegos, Tsiue
dc.contributor.authorGutiérrez González, Ivanka
dc.contributor.departmentSin departamento asociadoes
dc.date.accessioned2025-11-12T08:11:03Z
dc.date.available2025-11-12T08:11:03Z
dc.date.issued2025
dc.description.abstractAbstract: This study examines the portrayal of Black women in Trilogía sucia de La Habana by Pedro Juan Gutiérrez through a critical discourse analysis. The novel reproduces racist and sexist stereotypes that reduce Black, mulatta, and jabada women to hypersexualized and subordinate. Various female roles are identified: hypersexualized women, submissive wives, feared santeras, marginalized elderly, sex workers, sexualized professionals, and stigmatized lesbians. These representations reinforce a patriarchal, phallocentric, and colonial view of racialized women, erasing their humanity and diversity. Despite its literary value, the novel does not offer a social critique but normalizes the structural oppression still present in contemporary Cuban society. The analysis shows that literature, far from being neutral, can perpetuate discriminatory imaginaries. Thus, it is crucial to approach such texts through an intersectional lens that challenges dominant discourses and promotes more just and complex representations of marginalized identities. es
dc.description.abstractAbstract: This study examines the portrayal of Black women in Trilogía sucia de La Habana by Pedro Juan Gutiérrez through a critical discourse analysis. The novel reproduces racist and sexist stereotypes that reduce Black, mulatta, and jabada women to hypersexualized and subordinate. Various female roles are identified: hypersexualized women, submissive wives, feared santeras, marginalized elderly, sex workers, sexualized professionals, and stigmatized lesbians. These representations reinforce a patriarchal, phallocentric, and colonial view of racialized women, erasing their humanity and diversity. Despite its literary value, the novel does not offer a social critique but normalizes the structural oppression still present in contemporary Cuban society. The analysis shows that literature, far from being neutral, can perpetuate discriminatory imaginaries. Thus, it is crucial to approach such texts through an intersectional lens that challenges dominant discourses and promotes more just and complex representations of marginalized identities.en
dc.formatapplication/pdf
dc.format.extent18
dc.identifier.citationRefracción : revista sobre lingüística materialista, n. 12, 2025, p. 88-105.es
dc.identifier.eissn2695-6918
dc.identifier.urihttp://hdl.handle.net/10201/172429
dc.languagespa
dc.publisherINLIMA. Instituto de Lingüística Materialista.es
dc.relationSin financiación externa a la Universidad.es
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectFeminismoes
dc.subjectFeminismen
dc.subjectDiscriminaciónes
dc.subjectDiscriminationen
dc.subjectNarrativa cubanaes
dc.subjectCuban narrativeen
dc.subjectRacializaciónes
dc.subjectRacializationen
dc.subject.odsNo relacionado con ningún objetivo de desarrollo sosteniblees
dc.subject.otherCDU::3 - Ciencias sociales::32 - Política
dc.subject.otherCDU::8- Lingüística y literatura
dc.titleEl tratamiento de la mujer negra en la novela Trilogía sucia de La Habana de Pedro Juan Gutiérrez.es
dc.title.alternativeThe treatment of black women in the novel Trilogía sucia de La Habana by Pedro Juan Gutiérrez.en
dc.typeinfo:eu-repo/semantics/article
dspace.entity.typePublication
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