Publication: Un nuevo medio en el arte. Orígenes, hipótesis, teorías y discursos
Authors
Ortuño Mengual, Pedro
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DOI
https://doi.org/10.37467/revhuman.v20.4941
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info:eu-repo/semantics/article
Description
©2023. This document is the Published, version of a Published Work that appeared in final form in Human review. International Humanities Review. To access the final edited and published work see https://doi.org/10.37467/revhuman.v20.4941
Abstract
El vídeo fue considerado por Gene Youngblood (1979) como un nuevo medio de creación artística, cuyos códigos abrirán nuevas perspectivas a la imagen en movimiento dándole entidad estética propia. Se analiza diversas teorías relacionadas con la comunicación y el arte de autores como Wiener, Benjamin, Brecht, McLuhan, Burris. Así mismo estudia obras pioneras y el uso del feedback loop como elemento de retroalimentación entre emisor receptor. Wipe Cycle (1969) de Frank Gillette e Ira Schneider y Time Delay Room (1974) de Dan Graham nos mostrarán las claves para entender el funcionamiento interno de un nuevo medio que acababa de nacer.
The video was considered by Gene Youngblood (1979) as a new medium of artistic creation, whose codes will open new perspectives to the moving image giving it its own aesthetic entity. Various theories related to communication and art by authors such as Wiener, Benjamin, Brecht, McLuhan, Burris are analyzed. Likewise, he studies pioneering works and the use of the feedback loop as a element between the emitter and the receiver. Wipe Cycle (1969) by Frank Gillette and Ira Schneider and Time Delay Room (1974) by Dan Graham will show us the keys to understanding the inner workings of a new medium that had just been born.
The video was considered by Gene Youngblood (1979) as a new medium of artistic creation, whose codes will open new perspectives to the moving image giving it its own aesthetic entity. Various theories related to communication and art by authors such as Wiener, Benjamin, Brecht, McLuhan, Burris are analyzed. Likewise, he studies pioneering works and the use of the feedback loop as a element between the emitter and the receiver. Wipe Cycle (1969) by Frank Gillette and Ira Schneider and Time Delay Room (1974) by Dan Graham will show us the keys to understanding the inner workings of a new medium that had just been born.
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Citation
Human Review. International Humanities Review / Revista Internacional de Humanidades
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