Publication: Bestiarios de resistencia: narradores más que humanos en narrativas argentinas recientes.
Authors
Barbero, Ludmila
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
https://doi.org/10.6018/monteagudo.682421
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info:eu-repo/semantics/article
Description
Abstract
Proponemos analizar El niño pez (2004) de Lucía Puenzo y Cat Power. La toma de la Tierra (2017) de Cecilia Palmeiro, como novelas que presentan narradores más-que-humanos, y plantean una mirada disruptiva del límite entre las diferentes esferas de lo vivo. Se considerarán los procedimientos narratológicos no-naturales en ambas ficciones, como así también la presencia de seres metamórficos, que, por su misma condición, hacen estallar la rigidez de las taxonomías. Nos centraremos, por ultimo, en las escenas que dan comienzo a ambos textos, y que consituyen “escenas de denominación” (Dünne: 2025) subvertidas, en las que los animales “negocian” o deciden su nombre propio.
Abstract: This paper proposes to analyze El niño pez (2004) by Lucía Puenzo and Cat Power. La toma de la Tierra (2017) by Cecilia Palmeiro, as novels that present more-than-human narrators and offer a disruptive view of the boundary between the different spheres of life. In this sense, we will consider the non-natural narratological procedures in both works of fiction, as well as the presence of metamorphic beings, which, by their very nature, break down the rigidity of taxonomies. Finally, we will focus on the first scenes of both texts, which constitute subverted “scenes of naming” (Dünne: 2025), in which animals “negotiate” or decide their own names.
Abstract: This paper proposes to analyze El niño pez (2004) by Lucía Puenzo and Cat Power. La toma de la Tierra (2017) by Cecilia Palmeiro, as novels that present more-than-human narrators and offer a disruptive view of the boundary between the different spheres of life. In this sense, we will consider the non-natural narratological procedures in both works of fiction, as well as the presence of metamorphic beings, which, by their very nature, break down the rigidity of taxonomies. Finally, we will focus on the first scenes of both texts, which constitute subverted “scenes of naming” (Dünne: 2025), in which animals “negotiate” or decide their own names.
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Citation
Barbero, L. (2026). Bestiarios de resistencia: narradores más que humanos en narrativas argentinas recientes. Monteagudo: revista de literatura española, hispanoamericana y teoría de la literatura, (31), 33–52. https://doi.org/10.6018/monteagudo.682421
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