Publication: Los monólogos dramáticos de Circe, Fedra y Medea en Claribel Alegría: ni brujas ni locas.
Authors
Fernández Zambudio, Josefa
item.page.secondaryauthor
item.page.director
Publisher
Universidad de Murcia, Servicio de Publicaciones
publication.page.editor
publication.page.department
DOI
https://doi.org/10.6018/ER.491681
item.page.type
info:eu-repo/semantics/article
Description
Abstract
Analizamos la renovación de paradigmas femeninos a partir de la reescritura de los mitos llevada a cabo por Claribel Alegría (1924-2018) en su obra poética. A través de los versos de esta autora nicaragüense-salvadoreña, estudiamos la representación de diversos personajes míticos, que se alejan de las dialécticas que presentan a la mujer enamorada como bruja y loca, que utiliza sus malas artes y que es irracional. Las voces de Circe, Fedra y Medea, tres mujeres pertenecientes a la tradición de la mitología grecolatina y vinculadas genealógicamente, se presentan en monólogos dramáticos que revisan el paradigma de la enamorada peligrosa. La ausencia de estudios previos sobre este tema y su relevancia para la representación literaria de la mujer hoy justifican nuestra aportación.
We analyze the renewal of feminine paradigms from the rewriting of myths carried out by Claribel Alegría (1924-2018) in her poetic work. Through the verses of this Nicaraguan-Salvadoran author, we study the representation of various mythical characters, who distance themselves from the dialectics that present the woman in love as a witch and mad, characterized by the use of trickery and for being an irrational person. The voices of Circe, Phaedra and Medea, three women belonging to the tradition of Greco-Roman mythology and genealogically linked, are presented in dramatic monologues that examine the paradigm of the dangerous lover. The absence of previous studies on this topic and its relevance for literary representation of women today justify our contribution.
We analyze the renewal of feminine paradigms from the rewriting of myths carried out by Claribel Alegría (1924-2018) in her poetic work. Through the verses of this Nicaraguan-Salvadoran author, we study the representation of various mythical characters, who distance themselves from the dialectics that present the woman in love as a witch and mad, characterized by the use of trickery and for being an irrational person. The voices of Circe, Phaedra and Medea, three women belonging to the tradition of Greco-Roman mythology and genealogically linked, are presented in dramatic monologues that examine the paradigm of the dangerous lover. The absence of previous studies on this topic and its relevance for literary representation of women today justify our contribution.
publication.page.subject
Citation
Estudios románicos, Vol. 31 (2022)
item.page.embargo
Collections
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nc-nd/4.0/