Publication: En Camarades et La Décapitée de Colette :
le couple et le désir en scène
Authors
Fouchard, Flavie
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Resumen: El estudio de En Camarades y La Décapitée,
dos obras dramáticas menores de los inicios de
la carrera de Colette, nos permite por una parte
precisar el origen de algunos temas y variaciones
sobre un motivo central en la obra de Colette:
el erotismo y las relaciones amorosas entre
hombres y mujeres; por otra parte, reflexionar
sobre el rol del teatro en la escritura de Colette.
Identificamos la clara influencia de los temas
y géneros de la “Belle époque”, como por
ejemplo el “théâtre de boulevard” y los tríos
amorosos, pero también ponemos de relieve
su enfoque personal así como su relación con
la construcción de su particular postura como
autora.
Abstract: In this article we present a study of two early minor dramatic texts of Colette La Décapitée and En Camarades and their relation with Colette’s complete works, in order to display the importance of theater in her formative years and to identify the origin of some variations on of one of her main writing theme: love, eroticism and relationship between men and women. In both texts we can observe a clear influence of Belle Époque’s literary forms like “boulevard theater” and themes with the dramatic presentation of love triangle. Although we can identify too her personal approach and connect it to her master pieces as well as to her particular author’s position.
Abstract: In this article we present a study of two early minor dramatic texts of Colette La Décapitée and En Camarades and their relation with Colette’s complete works, in order to display the importance of theater in her formative years and to identify the origin of some variations on of one of her main writing theme: love, eroticism and relationship between men and women. In both texts we can observe a clear influence of Belle Époque’s literary forms like “boulevard theater” and themes with the dramatic presentation of love triangle. Although we can identify too her personal approach and connect it to her master pieces as well as to her particular author’s position.
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Citation
Fouchard, F. (2013). En Camarades et La Décapitée de Colette : le couple et le désir en scène. Anales de Filología Francesa, 21, 87–103. Recuperado a partir de https://revistas.um.es/analesff/article/view/188161
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