Publication: La conformación de la colección de fotografía del Museo de Bellas Artes de Bilbao.
Authors
Fabra Anton, Dolors
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
https://doi.org/10.6018/imafronte.376501
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info:eu-repo/semantics/article
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Abstract
El presente artículo se basa en las conclusiones de la Tesis doctoral La Colección de
Fotografía del Museo de Bellas Artes de Bilbao (1914-2014): estudio, catalogación y análisis1
.Más
allá del estudio de los fondos fotográficos que custodia el Museo, la investigación plantea
cuestiones adyacentes que aluden a la problemática de la conservación del Patrimonio fotográfico, como a las dificultades que ha tenido en su introducción en las instituciones, así
como en lo que atañe a los museos. Con ello se perfila el contexto en el que ubicar el papel
que tuvo el Bilboko Arte Ederren Museoa=Museo de Bellas Artes de Bilbao en su principal
etapa de conformación de la Colección de fotografía, desde 1980 hasta 1997. Por otro lado,
se trata de promover los fondos conservados en el Museo, como aportación a la cartografía
del Patrimonio fotográfico español y a la problemática de su indefinición.
This article is based on the conclusions of the doctoral thesis The Collection of Photography of the Bilbao Fine Arts Museum (1914-2014): Estady,Cataloguing and Analysis 2 . Beyond the study of the photographic collections that the Museum keeps, the research raises adjacent issues that allude to the problematic of the conservation of the photographic heritage, as well as the difficulties that the medium had in its introduction in the institutions, especially as regards to the museums. With this, it is outlined with context in which to locate the paper that the Museum of Fine Arts of Bilbao in its main stage of conformation of the Photography Collection, from 1980 to 1997. On the other hand, it is sought to give to know the funds preserved in the Museum, as a contribution to the cartography of the Spanish photographic heritage and the problems of its lack of definition.
This article is based on the conclusions of the doctoral thesis The Collection of Photography of the Bilbao Fine Arts Museum (1914-2014): Estady,Cataloguing and Analysis 2 . Beyond the study of the photographic collections that the Museum keeps, the research raises adjacent issues that allude to the problematic of the conservation of the photographic heritage, as well as the difficulties that the medium had in its introduction in the institutions, especially as regards to the museums. With this, it is outlined with context in which to locate the paper that the Museum of Fine Arts of Bilbao in its main stage of conformation of the Photography Collection, from 1980 to 1997. On the other hand, it is sought to give to know the funds preserved in the Museum, as a contribution to the cartography of the Spanish photographic heritage and the problems of its lack of definition.
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