Publication: El fandango de Herrera: su relación con el zángano de Puente Genil y posible origen del atribuido a Pérez de Guzmán
Loading...
Date
2023
Authors
Arjona Díaz, Salvador
item.page.secondaryauthor
item.page.director
Publisher
Universidad de Murcia, Servicio de Publicaciones
publication.page.editor
publication.page.department
DOI
https://doi.org/10.6018/flamenco.572541
item.page.type
info:eu-repo/semantics/article
Description
Abstract
En la localidad sevillana de Herrera se tenían noticias de un fandango local, ya prácticamente olvidado, el cual, se sospechaba, pudiera guardar similitudes con el conocido como ``zángano de Puente Genil'', localidad vecina con la que compartió este tipo de bailes, cuyos cantes eran todavía fandangos de naturaleza folclórica. El único cantaor que lo recordaba era Pedro de la Timotea que, por fortuna, lo dejó registrado en una grabación casera. Analizada en detalle, se comprueba que su melodía coincide en gran medida con la del fandango atribuido a José Pérez de Guzmán, lo que plantea la hipótesis de que este se hubiera basado en la melodía del fandango herrereño para crear el suyo.
In the town of Herrera (Sevilla), there was news of a local fandango, practically forgotten,which, it was suspected, could bear similarities with the one known as “zángano de Puente Genil”,neighboring town with which he shared this type of dance, whose songs were still fandangos of a folkloric nature. The only flamenco-singer who remembered him was Pedro de la Timotea who,fortunately, recorded it on a home recording. Analyzed in detail, it is found that its melody coincides to a great extent with that of the fandango attributed to José Pérez de Guzmán, which raises the hypothesis that he was based on the melody of the fandango from Herrereño to create his own.
In the town of Herrera (Sevilla), there was news of a local fandango, practically forgotten,which, it was suspected, could bear similarities with the one known as “zángano de Puente Genil”,neighboring town with which he shared this type of dance, whose songs were still fandangos of a folkloric nature. The only flamenco-singer who remembered him was Pedro de la Timotea who,fortunately, recorded it on a home recording. Analyzed in detail, it is found that its melody coincides to a great extent with that of the fandango attributed to José Pérez de Guzmán, which raises the hypothesis that he was based on the melody of the fandango from Herrereño to create his own.
publication.page.subject
Citation
Revista de investigación sobre flamenco "La madrugá", N. 20, 2023
item.page.embargo
Ir a Estadísticas
Este ítem está sujeto a una licencia Creative Commons. http://creativecommons.org/licenses/by-nc-nd/4.0/