Publication: Literatura de cordel : 'Trovos nuevos y divertidos…'.Trovos/trobos, décimas, glosas y demás historias en verso a través de los pliegos de cordel o romances.
Authors
Tomás Loba, Emilio del Carmelo
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
https://doi.org/10.6018/cartaphilus.596441
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info:eu-repo/semantics/article
Description
Abstract
Vamos a realizar un recorrido polarizado por la oralidad y la escritura, de tal forma que atenderemos en este trabajo a las impresiones existentes en los denominados Pliegos de Cordel, publicaciones que no solo recogían romances literarios sino toda una gama de recursos para contar historias. Así, el mundo de la poesía oral popular repentizada o Trovo, como se le denomina en el sureste español, utiliza recursos poéticos propios del canon formal cuyo léxico o terminología aparece con anterioridad en el mundo impreso del Pliego de Cordel.
We are going to take a polarized journey through orality and writing, in such a way that we will attend in this work to the impressions existing in the so-called Pliegos de Cordel, publications that not only collected literary romances but a whole range of resources for telling stories. Thus, the world of improvised popular oral poetry or Trovo, as the art of repentismo is called in the spanish southeast, uses poetic resources typical of the formal canon whose lexicón or terminology appears previously in the printed world of the Pliego de Cordel.
We are going to take a polarized journey through orality and writing, in such a way that we will attend in this work to the impressions existing in the so-called Pliegos de Cordel, publications that not only collected literary romances but a whole range of resources for telling stories. Thus, the world of improvised popular oral poetry or Trovo, as the art of repentismo is called in the spanish southeast, uses poetic resources typical of the formal canon whose lexicón or terminology appears previously in the printed world of the Pliego de Cordel.
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Citation
Cartaphilus : revista de investigación y crítica estética, V. 21, 2023, p. 255-289.
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