Publication: Ecos de la tragedia clásica en Eleni (2004) de Teo Anguelópulos = [Echoes of the Classical Tragedy in The Weeping Meadow (2004) by Theo
Angelopoulos]
Authors
López Jimeno, Amor
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Publisher
Murcia: Universidad de Murcia, Editum
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DOI
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info:eu-repo/semantics/article
Description
Abstract
La filmografía de Teo Anguelópulos (Atenas, 1936-2012) es una muestra
magistral de la renovación de la Tradición Clásica en un lenguaje
cinematográfico que hermana mito, poesía, música, filosofía y tragedia clásicas
con la historia actual. Su concepción cinematográfica es muy cercana al teatro y
en especial a la tragedia de Esquilo, aunque en Eleni (2004), primera parte de
su última trilogía, se percibe también la huella de Eurípides. El mito antiguo es
recreado en una tragedia del siglo XX.
Theo Angelopoulos’ work (Athens, 1936-2012) is a masterful example of the renewal of the Classical Tradition into a cinematographic language that combines myth, poetry, music, philosophy and Classical tragedy with contemporary history. His film concept is very close to the theater and especially the tragedy of Aeschylus, though The Weeping Meadow (2004), the first piece of his latest trilogy, the influence of Euripides is also perceived. The ancient myth is recreated in a tragedy of the twentieth century.
Theo Angelopoulos’ work (Athens, 1936-2012) is a masterful example of the renewal of the Classical Tradition into a cinematographic language that combines myth, poetry, music, philosophy and Classical tragedy with contemporary history. His film concept is very close to the theater and especially the tragedy of Aeschylus, though The Weeping Meadow (2004), the first piece of his latest trilogy, the influence of Euripides is also perceived. The ancient myth is recreated in a tragedy of the twentieth century.
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